Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2015 — Inné
Het orgel van Thierry Escaich en Anton Bruckner, EscaichBruckner
Radio Filharmonisch OrkestTenor
Féach ar an gclár, an fhoireann agus an fhoireannCosì fan tutte, Mozart
Ferrando
Féach ar an bhfoireann agus an fhoireannSamson, Händel
Bachakademie StuttgartPhilistin (A Philistine man) + 1 ról
Féach ar an bhfoireann agus an fhoireannHändel Samson, Händel
Bachakademie StuttgartIsraelite (Israelite Man) + 1 ról
Féach ar an bhfoireann agus an fhoireannFalstaff, Verdi
Fondazione del Teatro del Maggio Musicale FiorentinoFenton
Féach ar an bhfoireann agus an fhoireannSymphony No. 8 in E-flat Major, ("Symphony of a Thousand") (Symphony 8), Mahler
May FestivalChorus master
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Het orgel van Thierry Escaich en Anton Bruckner, EscaichBruckner
Radio Filharmonisch OrkestTenor
Féach ar an gclár, an fhoireann agus an fhoireann
Così fan tutte, Mozart
Ferrando
Féach ar an bhfoireann agus an fhoireann
Samson, Händel
Bachakademie StuttgartPhilistin (A Philistine man) + 1 ról
Féach ar an bhfoireann agus an fhoireann
Händel Samson, Händel
Bachakademie StuttgartIsraelite (Israelite Man) + 1 ról
Féach ar an bhfoireann agus an fhoireannFalstaff, Verdi
Fondazione del Teatro del Maggio Musicale FiorentinoFenton
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
8Der fliegende Holländer (The Flying Dutchman), Wagner, Richard
Teatro Regio di TorinoDer Steuermann Dalands (Daland's Steersman)
Féach ar an bhfoireann agus an fhoireannIl barbiere di Siviglia (The Barber of Seville), Rossini
Lyric Opera of Kansas CityIl Conte d'Almaviva (The Count of Almaviva)
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
The tenor Matthew Swensen with resilient, finely fluttering vibrato was the ideal voice. It is agile and pleasurable conveying the serious and ironic details of love, pain and loving happiness. The audience loved his duets and arias, and it was quite clear that they could not get enough of it.’’ Frankfurt Allgemeine __ With an overwhelming talent and innate musicality, Matthew Swensen has made his mark as one of the intriguing talents of his generation. His thoughtful and poetic, virtuosic and colourful technique can combine excitement with purity and is driven by an impressive natural ease. The unique sound of his voice, remarkable musicality and his vibrant stage presence allow him to combine an active opera career with numerous concert performances. The 2022-23 Season begins in the fa
