Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2018 — Ilbieraħ
Lunchtime Concert Series, BrahmsLisztWagner, RichardMussorgsky
St John's Smith SquareBass-Bariton + 1 rwoli
Ara programm, cast u ekwipaġġDialogues des Carmélites (Dialogues of the Carmelites), Poulenc
Glyndebourne FestivalDeuxième Commissaire (Second commissioner)
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
Dialogues des Carmélites (Dialogues of the Carmelites), Poulenc
Glyndebourne FestivalDeuxième Commissaire (Second commissioner)
Ara l-cast u l-ekwipaġġ
Prestazzjonijiet li ġejjin
11Die lustigen Weiber von Windsor (The Merry Wives of Windsor), Nicolai
Wuppertaler Bühnen und Sinfonieorchester GmbHHerr Reich (Mr Reich)
Ara l-cast u l-ekwipaġġDie lustigen Weiber von Windsor (The Merry Wives of Windsor), Nicolai
Wuppertaler Bühnen und Sinfonieorchester GmbHHerr Reich (Mr Reich)
Ara l-cast u l-ekwipaġġ
Bijografija
Northumbrian bass-baritone Michael Ronan is an up-and-coming artist praised for his ‘commanding voice and stage presence’ (Evening Standard). He has recently finished a season as a Jerwood Young Artist at Glyndebourne Festival Opera performing the roles of The Keeper of the Madhouse in The Rakes Progress and 2eme Commissaire in Dialogues des Carmélites and covering the roles of Nick Shadow in The Rakes Progress, and Masetto in Don Giovanni. Michael has seen recent success as the winner of both Glyndebourne’s 2023 John Christie Award, and the Royal Academy of Music’s 2022 Bicentenary Prize with his winning performance described as ‘outstandingly moving’. He has also been awarded the Joan Chissell Schumann Lieder Prize, the Sir Thomas Armstrong English Song Prize, and the Blyth-Buesst Opera
