Dyrygent

Mikael Eliasen

Artist

Approved

2015

2006

1998

1997

Individual contributor id

include virtual contributors

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Reżyseria

Libretto

Scenografia

Kostiumy

Choreografia

Reżyseria światła

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzosopran

Singer

Bas - baryton

Sopran

Baryton

Kontratenor

Kontralt

Tenor

Spoken

Głos dziecięcy

Silent

Alto

Continuo

operaphila.org - In this short video, stage director Chas Rader-Shieber discusses his Curtis Opera Theatre production, and how Strauss’s beautiful opera-within-an-opera explores the collision of high art (a composer staging his new opera) with low art (a troupe of commedia actors led by Ashley Milanese as Zerbinetta).

Chas’s production takes place in the private art gallery of the richest man in Vienna, where Ariadne, abandoned on a deserted island by her lover Theseus, is joined by a certain familiar group of castaways.

Mikael Eliasen

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