Name: 10. Sinfoniekonzert
Start: 2024-06-06T00:00:00.000Z
End: 2024-06-07T00:00:00.000Z
Location: Opernhaus

Organization

Conductor

Anna Skryleva

Singer

Rosha Fitzhowle

Soprano

Theater Magdeburg

Orchestra

Magdeburg Philharmonic

Voice

10. Sinfoniekonzert

Magdeburg

Germany

Opernhaus

Bühne

Public

Till Eulenspiegel's Merry Pranks

Chants d'Auvergne

Don Juan, op. 20

Mirror for soprano and orchestra

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Mezzo-soprano

Baritone

Bass-baritone

Bass

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

„analyse mir unmöglich, aller witz in toenen ausgegeben. brief folgt“, telegrafierte Richard Strauss auf die schriftliche Anfrage zum Programm seiner Sinfonischen Dichtung Till Eulenspiegels lustige Streiche – und tatsächlich ist der Titel Programm. In der Tradition von Liszt und Berlioz vertonte er, nach der Vorlage eines mittelniederdeutschen Volksbuchs, fünf Streiche des Schalks Till Eulenspiegel – mit rahmendem Prolog und Epilog – und griff dabei auf das Rondo-Prinzip zurück, das bereits für Don Juan strukturgebend war.
Ebenfalls nach einer literarischen Vorlage, aber in gänzlich anderer Struktur, komponierte GMD Anna Skryleva Mirror für Sopran und Orchester. Ausgehend von ihrem gleichnamigen Gedicht, einem Palindrom – das von vorn und hinten gelesen werden kann – überträgt sie einzelne Silben und ganze Worte in Motivstrukturen, sodass das Gedicht nicht nur zur sprachlichen, sondern auch zur formalen Grundlage der Komposition wird. Gemeinsam mit Ensemblemitglied Rosha Fitzhowle gestaltet sie zum Abschluss der Spielzeit die Uraufführung ihrer eigenen Komposition.

Deutsch

"It's impossible for me to analyze, all jokes spent in tones. letter follows”, Richard Strauss telegraphed in response to the written request for the program of his symphonic poem Till Eulenspiegel's amusing pranks – and indeed the title says it all. In the tradition of Liszt and Berlioz, based on a Middle Low German chapbook, he set five pranks by the rogue Till Eulenspiegel to music - with a framing prologue and epilogue - and in doing so he drew on the rondo principle that was already structuring for Don Juan . GMD Anna Skryleva also composed Mirror
based on a literary model, but with a completely different structure for soprano and orchestra. Starting from her poem of the same name, a palindrome – which can be read from the front and back – she transfers individual syllables and whole words into motif structures, so that the poem becomes not only the linguistic but also the formal basis of the composition. Together with ensemble member Rosha Fitzhowle, she will premiere her own composition at the end of the season.

English

10. Sinfoniekonzert by Strauss, Canteloube, Skryleva, pen 07 bir 2024, Nuo (2024/2024), Dirigentas Anna Skryleva, Opernhaus, Magdeburg, Germany

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