Name: 11. Symphoniekonzert
Start: 2024-06-09T00:00:00.000Z
End: 2024-06-11T00:00:00.000Z
Location: Semperoper

Organization

Conductor

Myung-Whun Chung

Instrumentalist

Piano

Semperoper Dresden

Orchestra

Staatskapelle Dresden

alemana

11. Symphoniekonzert

Dresden

Germany

Semperoper

11. Symphoniekonzert: Turangalîla-Symphonie Messiaen

Public

Turangalîla-Sinfonie

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Contralto

Baritone

Bass-baritone

Countertenor

Tenor

Soprano

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Vogelgezwitscher und indische Rhythmen, Hollywood-Gesten und indonesische Gamelan- Klänge: Kaum ein zweites Werk verkörpert stilistischen Pluralismus so umfassend wie die 1949 entstandene »Turangalîla-Symphonie« von Olivier Messiaen – eines Hymnus auf die »übermenschliche, überschäumende, blendende und maßlose Freude«, wie der Komponist selbst schrieb. Musikalische Protagonisten des tristanartigen Liebesgesangs sind neben den mannigfachen Farben eines Riesenorchesters ein halsbrecherisch virtuoser Klavierpart und der Einsatz der in den 1920ern entwickelten Ondes Martenot, eines elektroakustischen Tasteninstruments, dessen Klang irgendwo zwischen singender Säge und menschlichen Stimme liegt.

Konzerteinführung jeweils 45 Minuten vor Beginn im Opernkeller der Semperoper.

Deutsch

Birdsong and Indian rhythms, Hollywood gestures and Indonesian gamelan sounds: hardly any other work embodies stylistic pluralism as comprehensively as Olivier Messiaen's »Turangalîla Symphony«, composed in 1949 - a hymn to »superhuman, exuberant, dazzling and boundless joy«. , as the composer himself wrote. The musical protagonists of the tristan-like love song are, in addition to the diverse colors of a huge orchestra, a breakneck virtuoso piano part and the use of the Ondes Martenot, an electroacoustic keyboard instrument developed in the 1920s, whose sound lies somewhere between a singing saw and a human voice.

Introduction to the concert 45 minutes before the start in the opera cellar of the Semperoper.

English

11. Symphoniekonzert by Messiaen, al. 10 eka. 2024, Noiztik (2024/2024), Zuzendaria Myung-Whun Chung, Semperoper, Dresden, Germany

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