Name: Aida
Start: 2022-04-23T00:00:00.000Z
End: 2022-06-21T00:00:00.000Z
Location: Baltic Opera

Organization

Lichtgestaltung

Paulina Góral

Sänger

Bass

Wojtek Gierlach

Der König von Ägypten

Ramfis

Dirigat

George Tchitchinadze

Regie

Anna Wieczur-Bluszcz

Bühnenbild

Damian Styrna

Kostümbild

Anna Chadaj

Choreographie

Izabela Sokołowska-Boulton

Wojciech Warszawski

Chordirektion

Agnieszka Długołęcka

Korrepetition

Michał Krężlewski

Sopran

Jolanta Wagner

Aida

Soojin Moon-Sebastian

Tenor

Jacek Laszczkowski

Radamès

Tomasz Kuk

Rafał Pawnuk

Aleksander Teliga

Piotr Nowacki

Bariton

Leszek Skrla

Amonasro

Mariusz Godlewski

Karolina Sołomin

Eine Oberpriesterin

Krzysztof Brzozowski

Ein Bote

Wojciech Winnicki

Mezzosopran

Małgorzata Walewska

Amneris

Anna Bernacka

Karolina Sikora

Opera Bałtycka

Danzig

Polen

Baltic Opera

Aida Verdi

Public

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Countertenor

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Peter Ilyich Tchaikovsky
EUGENE ONEGIN
Lyrical scenes in three acts I
BUY TICKETS
METAMORPHOSIS OF
EMOTIONS Tchaikovsky dedicated a number of works to the opera stage, but only the operas Eugene Onegin - as the culmination of Russian romantic opera - and The Lady of Spades , both based on the literary proposals of Alexander Sergeyevich Pushkin, were world famous.
Opera Eugene Oneginit arose relatively quickly, despite the serious and exciting upheavals in the composer's personal life, and it took only a year from the first enthusiasm for the material to the completion of the work. Tchaikovsky wrote to his patron, Mrs. von Meck, that only those who could be moved by "ordinary, simple human emotions" would be satisfied with Onegin. The ambitiously conceived tragedy has taken the form of a series of scenes, the dramaturgical tension stemming from the characters of the stage characters and not from the positions in which they find themselves. Such an approach by Tchaikovsky in the middle of the second half of the 19th century formally meant a great novelty. Eugene Oneginwas baptized in 1879 at Moscow's Maly Theater by students of the Conservatory, but without much success. It was only the re-enactments at the Bolshoi Theater in 1883 and in St. Petersburg in 1885 and 1892 that they proved to be an exceptional work of art, breaking down established stereotypes about opera pomp and bloating. The great composer was addressed in a special way by Pushkin's poem, as her verses capture a multitude of diverse emotions and especially transformation - friendships into great love and love into deep hatred and even death. The reflection of the souls of both romantic giants, Pushkin and Tchaikovsky, as we can experience in this opera, still today and again awakens the imagination of every opera lover.

English

Peter Iljič Čajkovski
EVGENIJ ONJEGIN
Lirični prizori v treh dejanjihI
NAKUP VSTOPNIC
METAMORFOZA ČUSTEV
Opernemu odru je Čajkovski namenil vrsto del, a sta bili svetovnega uspeha deležni le operi Evgenij Onjegin – kot vrhunec ruske romantične opere – in Pikova dama, obe sta nastali po literarnih predlogah Aleksandra Sergejeviča Puškina.
Opera Evgenij Onjegin je navkljub resnim in razburljivim pretresom v skladateljevem osebnem življenju nastala razmeroma hitro, od prvega navdušenja nad snovjo do dokončanja dela je minilo zgolj leto dni. Svoji pokroviteljici, gospe von Meck, je Čajkovski pisal, da bodo z Onjeginom zadovoljni le tisti, ki jih zmorejo ganiti »navadna, preprosta človeška čustva«. Velikopotezno zasnovana tragedija je prevzela obliko vrste prizorov, dramaturška napetost izhaja iz značajev odrskih likov in ne iz položajev, v katerih se znajdejo. Tak pristop Čajkovskega je sredi 2. polovice 19. stoletja v formalnem smislu pomenil velik novum. Evgenij Onjegin je doživel krst leta 1879 v moskovskem Malem gledališču v izvedbi študentov konservatorija, a brez velikega uspeha. Šele vnovične postavitve v gledališču Boljšoj leta 1883 in v Sankt Peterburgu leta 1885 ter 1892 so dokazale, da gre za izjemno umetnino, ki ruši ustaljene stereotipe o operni pompoznosti in nabuhlosti. Velikega skladatelja je Puškinova pesnitev nagovorila na poseben način, saj je v njenih verzih ujeta množica raznolikih čustev in še posebej preobrazba – prijateljstva v veliko ljubezen in ljubezni v globoko sovraštvo ter celo smrt. Odsev duš obeh romantičnih velikanov, Puškina in Čajkovskega, kot ga lahko doživimo v tej operi, še danes in vedno znova prebuja domišljijo slehernega ljubitelja opere.

slovenščina

Aida by Verdi, So. 24 Apr. 2022, Ab (2022/2022), Unter der Regie von Anna Wieczur-Bluszcz,, Dirigat George Tchitchinadze, Baltic Opera, Danzig, Polen

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