Name: Anna Bolena
Start: 2022-04-11T00:00:00.000Z
End: 2022-04-11T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Singer

Bass

Erwin Schrott

Henry VIII

Tenor

Enea Scala

Richard Percy

Contralto

Héloïse Mas

Mark Smeaton

Matthieu Lécroart

Lord Rochefort

Raphaël Bremard

Hervey

Conductor

Maurizio Benini

Soprano

Marina Rebeka

Anne Boleyn

Mezzo-soprano

Karine Deshayes

Jane Seymour

Théâtre des Champs-Elysées

Others

Chœur l'Elca

Orchestre de Chambre de Paris

Céleste Productions

itaalia

Anna Bolena -  (Anne Boleyn)

Paris

France

Théâtre

Anna Bolena Donizetti

Public

Simon Samuel

prantsuse

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

History does not like kings without a story. Posterity hardly retains happy reigns: felicity, rarely romantic, bores. But blood, sex and tears with gothic sets and costumes overflowing with pearls and opulent strawberries, that's got a kick out of it. This is one of the reasons for the success, never denied since Donizetti and Rossini, encountered by the English Renaissance. The fascination inspired by the Tudor court is matched only by that felt for the decadence of the Roman Empire. The novels of Walter Scott fascinate the romantics. The librettists of the time favored two types of characters: the bloody sovereigns, male or female, or the princes victims of the royal ire. The chili of thwarted love is particularly suited to politics. At Donizetti,Anna Bolena in 1830, Maria Stuarda five years later and Roberto Devereux in 1837. (Vincent Borel)

English

L’histoire n’aime pas les rois sans histoires. La postérité ne retient guère les règnes heureux : la félicité, rarement romanesque, ennuie. Mais du sang, du sexe et des larmes avec des décors gothiques et des costumes regorgeant de perles et de fraises opulentes, voilà qui a du chien. C’est l’une des raisons du succès, jamais démenti depuis Donizetti et Rossini, rencontré par la Renaissance anglaise. La fascination qu’inspire la cour des Tudor n’a d’équivalent que celle éprouvée pour les décadences de l’empire romain. Les romans de Walter Scott fascinent les romantiques. Les librettistes du temps privilégient deux types de personnages : les souverains sanglants, homme ou femme, ou les princes victimes de l’ire royale. Le piment de l’amour contrarié convient particulièrement en effet à la politique. Chez Donizetti, les Tudor auront leur trilogie avec Anna Bolena en 1830, Maria Stuarda cinq ans plus tard et Roberto Devereux en 1837. (Vincent Borel)

français

Anne Boleyn by Donizetti, E 11 apr 2022, Alates (2022/2022), Dirigent Maurizio Benini, Théâtre des Champs-Elysées, Paris, France

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Ansambel

Kaasprodutsent

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad