Name: Attila
Start: 2013-07-07T00:00:00.000Z
End: 2013-07-18T00:00:00.000Z
Location: Theater an der Wien

Organization

Bass

Dmitry Belosselskiy

Attila

Baritone

George Petean

Ezio

Soprano

Ana Lucrecia García

Odabella

Tenor

Nikolai Schukoff

Foresto

Dirigent

Riccardo Frizza

Regissör

Peter Konwitschny

Kostym designer

Johannes Leiacker

Scenograf

Ljus designer

Manfred Voss

Dramaturg

Bettina Bartz

Stefan Cerny

Leone

Andrew Owens

Uldino

MusikTheater an der Wien

italienska

Wien

Österrike

Theater an der Wien

tyska

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Librettist

Koreograf

Dansare

Skådespelare

Körledare

Video designer

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Mezzo-soprano

contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Attila Verdi

ATTILA Giuseppe Verdi - Ouvertüre

Ludwig van Beethoven had already toyed with the idea of ​​using Zacharias Werner's drama Attila, King of the Huns (1807) as the basis for an opera. Werner had built choirs into the work based on the ancient model, so it made sense to compose music for the successful piece. Giuseppe Verdi's librettist Temistocle Solera turned it into a patriotic story for the carnival season of 1845/46 in Venice - the
revolution of 1848 was already in the air: “Take the universe, just leave me Italy!” Is the acclaimed compromise proposal by Attila's opponent Ezio, the Roman-Italian general. The second part of the
prologue also takes up the founding myth of Venice, it is set in the Rivo Alto lagoon, which can still be found today in the Venetian area name "Rialto".

Huns king Attila, the "scourge of God", covers Italy with his campaigns of conquest. He slaughters whatever gets in his way. He also conquered Aquileia, slain the ruler of the city. Whose daughter Odabella wants
Stop accepting Attila's devastation. While the surviving residents save themselves in the lagoons and, on the side, found Venice, Odabella stands up to brave women at the helm of Attila. He is impressed by her courage and falls in love with her. Odabella appears to respond to his recruitment. She is determined to rid the world of the monster. To do this, she puts a lot at stake: Her true lover Foresto must first believe that she is reaching out her hand to her father's murderer. But shortly before Attila's longed-for marriage, she seizes the sword he gave her and takes her vengeance: the almighty King of the Huns falls, executed by the hand of this woman.

For the bloodthirsty story of the struggle between the pagan invaders and Christian Italy under the leadership of Rome, Giuseppe Verdi created rousing straight choirs, arias and duets with far-reaching melodies for Nabucco (1842). The work is full of energy and unmistakably comes from Verdi's first phase of success. The characters are not very individualized, but full of passion, which caused an enthusiastic response at the time of the premiere.

English

Attila by Verdi, sön 07 jul 2013, Från (2013/2013), Regisserad av Peter Konwitschny,, Dirigent Riccardo Frizza, Theater an der Wien, Wien, Österrike

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