Name: Belle Époque Gala
Start: 2024-06-26T00:00:00.000Z
End: 2024-06-26T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Festival Palazzetto Bru Zane à Paris

Conductor

Fabien Gabel

Singer

Soprano

Marie-Nicole Lemieux

soprano

Others

Orchestre de Chambre de Paris

Instrumentalist

Mélanie Laurent

Harp

Belle Époque Gala

Paris

France

Palazzetto Bru Zane

Théâtre des Champs-Elysées

Belle Époque Gala: Suite Bergamasque, L. 75 Debussy (+8 More)

Public

Private

Suite Bergamasque, L. 75

Dances for Harp and String Orchestra

Mélodies Persannes

Orientale, Op.22

Suite in the form of waltzes

Fantasietta

The Virgin

Expressions lyriques

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Mezzo-soprano

Baritone

Tenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

The Belle Époque was artistically one of the richest periods in French history. In music, post-Romanticism, still marked by a feverish sentimentality, coexisted with Symbolism, of which Debussy was the figurehead, and with an undying passion for the colours and the sensuality of the Orient. This programme brings together all of those influences, without omitting either sacred inspiration or the enduring craze for instrumental virtuosity. Dubois’s Fantasietta is a curious example, a kind of late concerto grosso, whose miniaturism heralded the neo-Classicism that was to come. Alongside those purely instrumental pieces, Marie-Nicole Lemieux embraces, with all the warmth of her contralto, mélodies (art songs) with orchestral accompaniment by Saint-Saëns and Massenet that posterity has for all too long kept in the shadows.

English

Belle Époque Gala by Debussy, Saint-Saëns, La Tombelle, Bonis, Dubois, T., Massenet, Mie 26 Iun. 2024, De la (2024/2024), Dirijor Fabien Gabel, Théâtre des Champs-Elysées, Paris, France

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