Name: Brahms's Symphony No. 1
Start: 2025-03-28T00:00:00.000Z
End: 2025-03-28T00:00:00.000Z
Location: Amare

Admin

Residentie Orkest

Orchestra

Conductor

Jun Märkl

Instrumentalist

Dejan Lazić

Piano

Mathilde Wauters

Harp

Brahms's Symphony No. 1

The Hague

Netherlands

Amare

Concertzaal

Public

Concert

Dances for Harp and String Orchestra

Piano Concerto No.5 in F major ("Egyptian"), Op. 103

Symphony No. 1 in C Minor, op. 68

Joshua Dos

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Soprano

Bass-baritone

Baritone

Contralto

Countertenor

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

Meer dan twintig jaar deed Johannes Brahms erover om zijn Eerste symfonie af te ronden. Steeds opnieuw hield hij de muziek tegen het licht, en smeedde, poetste, kneedde tot hij zelfverzekerd wist: ik ben waar ik zijn moet. Onder de schaduw van Beethoven, zijn voorganger, vandaan; maar ook zonder hem de rug toe te keren.

De Eerste symfonie is een van de favoriete muziekstukken van onze vaste gastdirigent (en toekomstig chef-dirigent) Jun Märkl. Brahms gebruikte een verscheidenheid aan akkoorden, modulaties en contrapunten om de symfonie een rijke en subtiele klank te geven, die soms verrassend en onverwacht was. Even fascinerend is het mysterieuze en diepe Egyptische pianoconcert van Camille Saint-Saëns. Je hoort het kabbelende water van de Nijl, de kwakende kikkers en de zingende bootsmannen. Uitgevoerd in prachtig mooie klankkleuren en een rijkheid aan ritme door pianosolist Dejan Lazić – een graag geziene gast bij het Residentie Orkest. Wij openen met de fascinerende klanken van Debussy met onze eigen soloharpiste Mathilde Wauters.

Nederlands

It took Johannes Brahms over twenty years to complete his Symphony No. 1. Time and again, he held the music up to the light, forging, polishing and sculpting it until he knew without a doubt that he was where he needed to be. He'd finally managed to emerge from his predecessor Beethoven's shadow, but without turning his back on the great master.

Brahms's Symphony No. 1 is one of the favourite pieces of music of our regular guest conductor and future chief conductor Jun Märkl. Brahms employed a variety of chords, modulations and counterpoints to give the symphony a rich and subtle sound, sometimes surprising and unexpected. Equally fascinating is Camille Saint-Saëns's mysterious and profound piano concerto popularly known as The Egyptian. You'll be able to hear the rippling waters of the Nile, the croaking frogs and the singing boatmen. The piece, with its beautifully rich tones and wealth of rhythms, will be performed by piano soloist Dejan Lazić, a frequent guest with the Residentie Orkest. We'll kick off the evening with the captivating sounds of Debussy, featuring our own solo harpist Mathilde Wauters.

English

Brahms's Symphony No. 1 by Debussy, Saint-Saëns, Brahms, pen 28 kov 2025, Nuo (2025/2025), Dirigentas Jun Märkl, Amare, The Hague, Netherlands

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