Name: Collegium Vocale Gent
Start: 2022-09-14T00:00:00.000Z
End: 2022-09-14T00:00:00.000Z
Location: Berliner Philharmonie

Organization

Musikfest Berlin

Conductor

Philippe Herreweghe

Singer

Soprano

Dorothee Mields

Barbora Kabátková

Contralto

Benedict Hymas

Alto

Tenor

Samuel Boden

Reinoud Van Mechelen

Bass

Peter Kooy

Gillian Knight

Wolf Matthias Friedrich

Stage director

Others

Collegium Vocale Gent

Orchestra

Orchester des Collegium Vocale Gent

Berlin

Germany

Berliner Philharmonie

Großer Saal

Claudio Monteverdi: "Vespro della Beata Vergine": Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Mezzo-soprano

Countertenor

Bass-baritone

Child vocalist

Continuo

Silent

Spoken

"The aim that good music must have is to move," wrote Claudio Monteverdi in the preface to his Eighth Book of Madrigals. His preferred means of doing this? The dramatic contrast, "because I know that it is the opposites that move our minds to a great extent". The best example of this emotionally charged approach, which overwhelmed many sober contemporaries, is Monteverdi's "Vespro della Beata Vergine". Because the overall architecture of this Marian Vespers, which is as complex as it is boldly thought out, offers a musical diversity that was unimagined at the time with constantly changing instrumentations and timbres – and despite all the well-calculated contrasts, results in an intentional, homogeneous whole. In addition to the usual Vespers components such as psalms, antiphons and hymns, Monteverdi also added so-called "Concerti", which are unmistakably oriented towards contemporary secular vocal music. They in particular achieve a passionate, almost sensual intensity that was something completely new in sacred music at the time. Philippe Herreweghe, who was encouraged as a student by pioneers of historical performance practice such as Nikolaus Harnoncourt and Gustav Leonhardt, is a guest at the Philharmonie Berlin with Monteverdi's "Vespro della Beata Vergine" - together with the Collegium Vocale Gent, which he founded and which is still active today associated with his name, as a guarantee for excellent interpretations: on old instruments and in a lean, transparent choir. which was something completely new in sacred music at the time. Philippe Herreweghe, who was encouraged as a student by pioneers of historical performance practice such as Nikolaus Harnoncourt and Gustav Leonhardt, is a guest at the Philharmonie Berlin with Monteverdi's "Vespro della Beata Vergine" - together with the Collegium Vocale Gent, which he founded and which is still active today associated with his name, as a guarantee for excellent interpretations: on old instruments and in a lean, transparent choir. which was something completely new in sacred music at the time. Philippe Herreweghe, who was encouraged as a student by pioneers of historical performance practice such as Nikolaus Harnoncourt and Gustav Leonhardt, is a guest at the Philharmonie Berlin with Monteverdi's "Vespro della Beata Vergine" - together with the Collegium Vocale Gent, which he founded and which is still active today associated with his name, as a guarantee for excellent interpretations: on old instruments and in a lean, transparent choir.

English

Collegium Vocale Gent by Various, Erb 14 Set 2022, Minn (2022/2022), Immexxi minn Philippe Herreweghe,, Surmast Direttur Philippe Herreweghe, Berliner Philharmonie, Berlin, Germany

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