Name: Die Walküre
Start: 2008-09-20T00:00:00.000Z
End: 2009-04-09T00:00:00.000Z
Location: Deutsches Nationaltheater

Organization

Singer

Tenor

Erin Caves

Siegmund

Christian Elsner

Bass

Hidekazu Tsumaya

Hunding

Baritone

Renatus Mészár

Wotan

Soprano

Kirsten Blanck

Sieglinde

Catherine Foster

Brünnhilde

Mezzo-soprano

Christine Hansmann

Fricka

Silona Michel

Helmwige

Susann Günther-Dißmeier

Gerhilde

Joana Caspar

Ortlinde

Marie-Helen Joël

Waltraute

Yaroslava Vikhrova

Contralto

Siegrune

Christiane Bassek

Rossweisse

Kerstin Quandt

Grimgerde

Nadine Weissmann

Schwertleite

Conductor

Martin Hoff

Stage director

Michael Schulz

Set designer

Dirk Becker

Deutsches Nationaltheater und Staatskapelle Weimar

Die Walküre -  (The Valkyrie)

Weimar

Germany

Deutsches Nationaltheater

"“The free man must be his own maker”
Richard Wagner’s Ring of the Nibelung reflects the composer’s autobiography as much as the political turmoil of his times. As work progressed, another figure grew to be as important as the hero Siegfried, the god Wotan, the mouthpiece for Wagner’s ideas. “He’s exactly like us: he is the sum of today’s intellectual consciousness, whereas Siegfried is what we hope the human being of the future will be, but who cannot be fashioned by us, and who must make himself by means of our destruction!” Our own doom as the basis of a happier future?
Wagner dressed this Herculean task musically in the spreading, shimmering web of his leitmotivic working (there are approximately 20 distinct motives in Die Walküre). Dramaturgically, the conversational style of Das Rheingold gives way to the tone of bourgeois tragedy: incestuous passion, more than one form of deep-seated marital antagonism, and a lot of talk, a lot of self-justification in the form of recapitulation. This, the First Day of the tetralogy (Das Rheingold being a “preliminary evening”), was without doubt the “most moving, the most tragic” of all Wagner’s works in the view of his wife Cosima, expressed in her diary on 31 August 1873. The text of Die Walküre was finished on 1 July 1852, and the score was completed in late March 1856. With the financial help of his ever-generous friend (and future father-in-law) Franz Liszt, Wagner went to rest from his labours on the shores of Lake Geneva."

Die Walküre Wagner,Richard

Public

The Valkyrie

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Watch full performance here: Der Ring des Nibelungen - Die Walküre (2008)

Der Ring des Nibelungen - Die Walküre - Preview clip

The Valkyrie by Wagner, Richard, Sâm 06 Dec. 2008, De la (2008/2009), Regizat de către Michael Schulz,, Dirijor Martin Hoff, Deutsches Nationaltheater, Weimar, Germany

Creditele spectacolului (Distribuție și Echipa )

Distribuție

Echipajul

Program, Despre și Sinopsis

Videoclipuri

Fotografii

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Date și locuri de spectacol

Locații