Name: Ein deutsches Requiem, op. 45
Start: 2024-01-29T00:00:00.000Z
End: 2024-01-29T00:00:00.000Z
Location: Salle Garnier

Organization

Conductor

Gianluca Capuano

Chorus master

Stefano Visconti

Singer

Soprano

Regula Mühlemann

Opéra de Monte-Carlo

Orchestra

Les Musiciens du Prince - Monaco

Others

Choeur de l'Opéra de Monte-Carlo

Baritone

Florian Boesch

Ein deutsches Requiem, op. 45 -  (A German Requiem)

Monaco

Salle Garnier

Public

A German Requiem

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Tenor

Countertenor

Bass-baritone

Contralto

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

One of the first acts of the new management of the Opéra de Monte-Carlo was the launch of a series of concerts intended to enrich the universe of the choir of the Opéra and to reveal to the public the extent of its abilities. After Rossini's Stabat Mater last season and Verdi's Requiem this season, it's the turn of A German Requiemby Johannes Brahms to be presented in this context. Between 1857 and 1868, the composer was devastated by the disappearance of two loved ones: that of Robert Schumann, his mentor, then that of his own mother. These two events will push him to develop what will become his passport to glory. Created in 1869, this sacred work, but not liturgical, opened up to him the world of symphonic music, a universe he had hitherto hesitated to embrace. Even if the desire of its author to make it an ecumenical work could not materialize, its humanist character transpires through an inspired writing, vibrant with more than ostentatious inner emotions. Halfway between the Baroque funeral cantata in its form and the Romantic oratorio in its numbers, A German Requiemis an ideal work to allow the Musicians of the Prince – Monaco, led by Gianluca Capuano, to fully restore the sounds of the period thanks to their sensitive approach to 19th century music.

English

Un des premiers actes de la nouvelle direction de l’Opéra de Monte-Carlo fut le lancement d’une série de concerts destinée à enrichir l’univers du chœur de l’Opéra et à dévoiler au public l’étendue de ses capacités. Après le Stabat Mater de Rossini la saison dernière et le Requiem de Verdi cette saison, c’est au tour d’Un requiem allemand de Johannes Brahms d’être présenté dans ce cadre. Entre 1857 et 1868, le compositeur est bouleversé par la disparition de deux êtres proches : celle de Robert Schumann, son mentor, puis celle de sa propre mère. Ces deux événements le pousseront à élaborer ce qui deviendra son passeport pour la gloire. Créée en 1869, cette œuvre sacrée, mais pas liturgique, lui ouvrira le monde de la musique symphonique, un univers qu’il avait jusque-là hésité à embrasser. Même si la volonté de son auteur d’en faire une œuvre œcuménique n’a pu se concrétiser, son caractère humaniste transpire au travers d’une écriture inspirée, vibrante d’émotions intérieures plus qu’ostentatoires. À mi-chemin entre la cantate funèbre baroque par sa forme et l’oratorio romantique par son effectif, Un requiem allemand est une œuvre idéale pour permettre aux Musiciens du Prince – Monaco, menés par Gianluca Capuano, de restituer pleinement les sonorités d’époque grâce à leur approche sensible de la musique du XIXe siècle.

français

A German Requiem by Brahms, Tne 29 Jan 2024, Minn (2024/2024), Surmast Direttur Gianluca Capuano, Salle Garnier, Monaco, Monaco

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