Name: Euskadiko Orkestra & Orfeón Donostiarra
Start: 2024-08-23T00:00:00.000Z
End: 2024-08-23T00:00:00.000Z
Location: Kursaal

Admin

Quincena Musical

Conductor

Jérémie Rhorer

Singer

Soprano

Chen Reiss

Victoria Karkacheva

Mezzo-Soprano

Tenor

Maximilian Schmitt

Bass

Hanno Mueller Brachmann

Orchestra

Euskadiko Orkestra

Others

Choeur Orfeon Donostiarra

Chorus master

José Antonio Sainz Alfaro

Euskadiko Orkestra & Orfeón Donostiarra

Donostia / San Sebastian

Spain

Kursaal

Auditorio

Public

Missa solemnis in D major, op. 123

Rahul Karaguppi

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Baritone

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

La Quincena recupera la Missa Solemnis, obra coral por excelencia de Beethoven, y la más difícil de este compositor, técnicamente hablando. Está considerada por algunos como la mejor misa jamás compuesta y no se interpreta en Quincena desde 2003. Bajo la dirección del director francés Jérémie Rhorer, quien fuera discípulo de Marc Minkowski, William Christie y Christopher Hogwood, interpretarán la partitura Euskadiko Orkestra, el Orfeón Donostiarra y los solistas Chen Reiss, Victoria Karkacheva, Maximilian Schmitt y Hanno Müller-Brachmann. Compuesta en paralelo con la 9ª Sinfonía, si bien en el estreno de la sinfonía se interpretaron el Kyrie y el Sanctus, la misa no se estrenó completa hasta 1830, ya fallecido el compositor. Meses antes de dirigirla en la Quincena, Rhorer dirigirá a su conjunto Le Cercle de l’Harmonie en la interpretación de la Missa Solemnis en la Philharmonie de Paris, y estos días dirige el estreno de la La voz humana, una nueva producción del Teatro Real que reúne la obra homónima de Poulenc y Erwartung, de Schönberg.

español

Hamabostaldiak Missa Solemnis berreskuratu du, Beethovenen obra koral nagusia eta haren mezarik konplexuena teknikoki. Batzuen ustez inoiz konposatu den mezarik onena den hau 2003. urtean interpretatu zen azkenekoz Hamabostaldian. Jérémie Rhorer zuzendari frantziarraren zuzendaritzapean, Marc Minkowski, William Christie eta Christopher Hogwooden ikasle izandakoak Euskadiko Orkestra partitura, Donostiako Orfeoia eta Chen Reiss, Victoria Karkacheva, Maximilian Schmitt eta Hanno Müller-Brachmann bakarlariak interpretatuko dituzte. 9. Sinfoniarekin paraleloan konposatua, sinfoniaren estreinaldian Kyrie eta Sanctus interpretatu baziren ere, meza ez zen osorik estreinatu 1830era arte, konpositorea hil zenean. Hamabostaldian zuzendu baino hilabete batzuk lehenago, Rhorerrek Le Cercle de l 'Harmonie taldea zuzenduko du Missa Solemnisen interpretazioan Parisko Philharmonie-n, eta egun hauetan La voz humana lanaren estreinaldia zuzenduko du, Errege Antzokiaren ekoizpen berri bat, Poulenc eta Schönbergen izen bereko obra biltzen duena.

euskara

français

The Fortnight recovers the Missa Solemnis , Beethoven's choral work par excellence, and the most difficult of this composer, technically speaking. It is considered by some to be the best mass ever composed and has not been performed in Fortnight since 2003. Under the direction of the French conductor Jérémie Rhorer, who was a disciple of Marc Minkowski, William Christie and Christopher Hogwood, the score will be performed by Euskadiko Orkestra, the Orfeón Donostiarra and soloists Chen Reiss, Victoria Karkacheva, Maximilian Schmitt and Hanno Müller-Brachmann. Composed in parallel with the 9th Symphony , although the Kyrie and the Sanctus were performed at the premiere of the symphony , the mass was not premiered in full until 1830, after the composer had died. Months before conducting it at the Fortnight, Rhorer will direct his ensemble Le Cercle de l'Harmonie in the interpretation of the Missa Solemnis at the Philharmonie de Paris, and these days he is directing the premiere of The Human Voice, a new production by the Royal Theater which brings together the work of the same name by Poulenc and Erwartung, by Schönberg.

English

Euskadiko Orkestra & Orfeón Donostiarra by Beethoven, pen 23 rgp 2024, Nuo (2024/2024), Dirigentas Jérémie Rhorer, Kursaal, Donostia / San Sebastian, Spain

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