Name: Fidelio
Start: 2022-11-25T00:00:00.000Z
End: 2023-02-26T00:00:00.000Z
Location: Deutsche Oper Berlin

Organization

Dirigat

Donald Runnicles

Dominic Limburg

Regie

David Hermann

Kostümbild

Johannes Schütz

Bühnenbild

Lichtgestaltung

Ulrich Niepel

Chordirektion

Jeremy Bines

Dramaturgie

Carolin Müller-Dohle

Bass

Thomas Lehman

Don Fernando

Philipp Jekal

Bariton

Markus Brück

Don Pizarro

Jordan Shanahan

Tenor

Robert Watson

Florestan

Klaus Florian Vogt

Sopran

Ingela Brimberg

Leonore

Flurina Stucki

Tobias Kehrer

Rocco

Ante Jerkunica

Elisa Verzier

Marzelline

Meechot Marrero

Gideon Poppe

Jaquino

Ya-Chung Huang

Kieran Carrel

Erster Gefangener

Artur Garbas

Zweiter Gefangener

Sua Jo

Albert Pesendorfer

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Others

Choir of the Deutsche Oper Berlin

Deutsch

Fidelio

Berlin

Deutschland

Fidelio Beethoven

Public

Englisch

Genehmigt

Instrumentalist

Klavier

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Libretto

Choreographie

Tänzer

Schauspiel

Videogestaltung

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Mezzosopran

Bass-Bariton

Countertenor

Gesprochen

Kinderstimme

Leise

Alto

Continuo

Ludwig van Beethoven’s only opera, which took him 10 years of his life to complete and which he revised a number of times, is a tour de force in several respects. Firstly, it is considered one of the archetypal operas devoted to the theme of liberty. The main female character, Leonore, is one of the great heroines of the operatic canon, disguising herself as a man and penetrating a prison to free her unjustly jailed husband, Florestan. And yet the work manages to this day to fend off simple black-and-white interpretations, despite regular efforts by commentators to harness the opera and its protagonists for partisan purposes. The idealistic, humanist appeal in Beethoven’s music is universal and defies categorical unambiguity.

Secondly, Beethoven pulled off the first-ever specifically German opera. His fusion of rescue opera, humanist oratorio and melodrama for the burghers went on to serve as a model for what a German romantic opera might be.

This rendition of Beethoven’s masterpiece is largely a collaboration between David Hermann, whose past association with the Deutsche Oper Berlin spans works as varied as THE LITTLE MATCH GIRL, ORESTE and THE MAKROPULOS AFFAIR, and the stage and set designer Johannes Schütz. This is the second time the pair have worked together on a »prison piece«. Following their production of Janácek’s FROM THE HOUSE OF THE DEAD at the Oper Frankfurt they now return to the themes of liberty and imprisonment and issues relating to power, powerlessness and manipulation.

English

Fidelio by Beethoven, Sa. 14 Jan. 2023, Ab (2022/2023), Unter der Regie von David Hermann,, Dirigat Donald Runnicles, Dominic Limburg, Deutsche Oper Berlin, Berlin, Deutschland

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Info & Synopsis

Videos

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte