Name: Il barbiere di Siviglia
Start: 2023-09-29T00:00:00.000Z
End: 2024-10-02T00:00:00.000Z
Location: Národní divadlo (National Theatre)

Organization

National Theatre Prague

Conductor

Jaroslav Kyzlink

Jan Chalupecký

Stage director

Magdalena Švecová

Set designer

David Janošek

Costume designer

Kateřina Štefková

Lighting designer

Pavla Beranová

Choreographer

Martin Pasek

Chorus master

Pavel Vaněk

Dramaturge

Beno Blachut

Singer

Tenor

Petr Nekoranec

The Count of Almaviva

Bass

Jiří Sulženko

Doctor Bartolo

Mezzo-soprano

Michaela Zajmi

Rosina

Baritone

Svatopluk Sem

Figaro

Zdeněk Plech

Don Basilio

Lukáš Bařák

Fiorello

Daniel Kfelíř

Anton Eliaš

Ambrogio

Martin Šrejma

Miloš Horák

Arnheiður Eiríksdóttir

Pavol Kubán

Roman Vocel

Soprano

Yukiko Šrejmová-Kinjo

Berta

Lucie Hajková

Others

Prague National Theatre Chorus

Orchestra

Ópera Checa de Praga

Iodáilis

Il barbiere di Siviglia -  (The Barber of Seville)

Prague

Czech Republic

Národní divadlo (National Theatre)

Il barbiere di Siviglia Rossini

Public

Private

The Barber of Seville

Seicis

Béarla

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

For over two centuries, Gioachino Rossini has been one of the most celebrated opera composers, and it might even have been the case if he had written nothing but Il barbiere di Siviglia. Both its genesis and premiere were connected with all kinds of twists and turns, which accompany many a play and opera. The piece had to be completed hastily, rehearsed and staged even more hastily; it was a setting of a literary work that had been used several times; the premiere was poorly received and affected by scandal, etc. In hindsight and knowing the fates of other creations, such circumstances would seem to be the best prerequisite for future success. Four years after the opera’s world premiere, in 1816 at the Teatro Argentino in Rome, Il barbiere di Siviglia was first presented, in German translation, at the Estates Theatre in Prague, which in 1825 staged the piece in Czech, owing mainly to the composer and conductor František Škroup (known primarily for creating the melody of the Czech national anthem), who would later on also give Czech premieres of operas by Wagner and others. The Provisional Theatre included Il barbiere di Siviglia in its repertoire during its very first season. Later on the opera was also undertaken by the National Theatre, which to date has adapted it in more than ten productions.

The newest production was entrusted to Magdalena Švecová, who has directed an adaptation of Smetana’s The Bartered Bride that ranks among the longest performed in the National Theatre’s history. The costumes have been created by Kateřina Štefková, the scenery by David Janošek. The score was enthusiastically undertaken by Jaroslav Kyzlink, the music director of the National Theatre Opera.

English

Gioachino Rossini platí už přes dvě stě let za jednoho z nejslavnějších operních skladatelů a je možné, že by tomu tak bylo, i kdyby napsal právě jen Lazebníka sevillského. S jeho vznikem a premiérou jsou spojeny snad všechny možné legendární peripetie, které provázejí nemálo činoherních a operních kusů. Opera musela být napsána rychle, nastudována ještě rychleji, zhudebněna byla již několikrát použitá předloha, premiéru postihl neúspěch a skandál atd. Viděno zpětně a se znalostí osudů jiných děl, jsou to zřejmě nejlepší předpoklady pro následný úspěch. Už čtyři roky po premiéře v římském Teatro Argentino v roce 1816 uvedlo Lazebníka v německém překladu pražské Stavovské divadlo. O premiéru v češtině se tamtéž zasloužil v roce 1825 autor mj. nápěvu české hymny, skladatel a dirigent František Škroup, který později přivedl poprvé na české jeviště mimo jiné také díla Wagnerova. Na repertoár Prozatímního divadla se Lazebník sevillský dostal hned v jeho první sezoně a odtud pak přešel i na jeviště Národního divadla, kde byl až dosud uveden ve více než deseti inscenacích.

Nejnovější inscenace byla svěřena režisérce Magdaleně Švecové, autorce jedné z nejdéle hraných inscenací Prodané nevěsty v historii Národního divadla. Kostýmy navrhla výtvarnice Kateřina Štefková, autorem scény je David Janošek. Hudebního nastudování se s chutí ujal dirigent Jaroslav Kyzlink.

čeština

The Barber of Seville by Rossini, Céa 02 Deai 2024, Ó (2023/2024), Faoi stiúir Magdalena Švecová,, Seoltóir Jaroslav Kyzlink, Jan Chalupecký, Národní divadlo (National Theatre), Prague, Czech Republic

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid