Name: Il barbiere di Siviglia
Start: 2018-08-02T00:00:00.000Z
End: 2018-08-02T00:00:00.000Z
Location: Castello Carrarese

Admin

Organization

Singer

Mezzo-soprano

Alessia Nadin

Rosina

Baritone

Massimo Cavalletti

Figaro

Tenor

Pietro Adaíni

The Count of Almaviva

Bass

Gabriele Sagona

Don Basilio

Giovanni Romeo

Doctor Bartolo

Soprano

Giovanna Donadini

Berta

Carlo Checchi

Fiorello

Conductor

Nicola Simoni

Stage director

Yamal Das Irmich

Set designer

Matteo Paoletti Franzato

Chorus master

Lirico Veneto

Teatro Verdi di Padova

Orchestra

‎Orchestra di Padova e del Veneto

Il barbiere di Siviglia -  (The Barber of Seville)

Padova

Italy

Castello Carrarese

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

A visionary work, with an incandescent rhythm, which speaks of love, but above all of money.

The symbolic nature of the dramaturgy suggests allocating the visual focus to two elements that summarize all this: one is the safe, which resembles a magic box in which the rich Rosina is jealously guarded, held prisoner by Doctor Bartolo, who sees in her alone. the symbol of money. Next to it we find the window of the Figaro shop, with its barber's seat on a pedestal. From here Figaro is under the illusion of managing the lives of the other characters, in reality he is just a pompous individual who offers all kinds of services in exchange for money, but in the end he fails to solve the problems that arise in the course of the story. Our protagonists move around these symbols of greed and pride, each moved by selfish intentions whose main engine is precisely "gold". Rosina and the Count of Almaviva embody selfless love; the two young people are well off and can look into each other's soul. The two take part together with the other characters in this war of intelligence in which Love and Money fight for the final victory. Who will win?

English

The Barber of Seville by Rossini, C 02 aug 2018, No (2018/2018), Režisēja Yamal Das Irmich,, Diriģents Nicola Simoni, Castello Carrarese, Padova, Italy

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