Name: Il ritorno d'Ulisse in patria
Start: 2014-05-17T00:00:00.000Z
End: 2014-06-14T00:00:00.000Z
Location: Opernhaus

Admin

Organization

Singer

Mezzo-soprano

Sara Mingardo

Penelope

Tenor

Kurt Streit

Ulysses

Soprano

Anna Stephany

Minerva

Ivana Rusko

Fortune

Juno

Julie Fuchs

Melanto

Liliana Nikiteanu

Eurycleia

Fabio Trümpy

Telemachus

Rudolf Schasching

Irus

Bass

Erik Anstine

Time

Antinous

Christophe Dumaux

Human Frailty

Peisander

Werner Güra

Eumetes

Martin Zysset

Jupiter

Countertenor

Michael Laurenz

Amphinomus

Mauro Peter

Eurimaco

Gianluca Buratto

Neptune

Conductor

Robert Howarth

Stage director

Willy Decker

Set designer

Wolfgang Gussmann

Costume designer

Susana Mendoza

Lighting designer

Franck Evin

Dramaturge

Kathrin Brunner

Choreographer

Kinsun Chan

Opernhaus Zürich

Orchestra

La Scintilla

italiensk

Il ritorno d'Ulisse in patria -  (The Return of Ulysses to His Homeland)

Zurich

Switzerland

Opernhaus

Il ritorno d'Ulisse in patria Monteverdi

Public

The Return of Ulysses to His Homeland

tysk

engelsk

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

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Choir

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Chorus master

Composer

Dancer

Executive producer

Extra

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Illustrator

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Makeup artist

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Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Trailer for the new production of “Il ritorno d'Ulisse in patria”, premiere on May 17, 2014 - musical direction: Robert Howarth, staging: Willy Decker, set design: Wolfgang Gussmann, costumes: Wolfgang Gussmann / Susana Mendoza, lighting design: Franck Evin - Penelope: Sara Mingardo, Ulisse: Kurt Streit, Melanto: Julie Fuchs, Eurimaco: Mauro Peter, Minerva: Anna Stéphany and many more.

THE RETURN OF ULYSSES TO THE HOMELAND - Trailer

Il ritorno d'Ulisse in patria
«Torna, deh torna Ulisse» (Kehr zurück, Odysseus) – mit diesen eindringlichen Worten beschwört Penelope die Rückkehr ihres seit dem Ausbruch des Trojanischen Krieges verschollenen Gatten. Zwanzig Jahre wartet sie nun schon auf ihn, und die Avancen der sie umgarnenden Freier lehnt sie stoisch ab. Der Held Odysseus (Italienisch: Ulisse) findet durch ein Versehen der Mächte nach zehnjähriger Irrfahrt auf dem Meer doch noch in seine Heimat zurück. Aber Penelope erkennt ihn da nicht mehr. Sie lässt sich erst nach mehrfachen Prüfungen von der Identität des Heimkehrers überzeugen. Wollte Penelope Ulisse vielleicht gar nicht mehr erkennen? Was bedeutet es, wenn zwei Menschen nach so langer Zeit wieder aufeinander treffen? Il ritorno d’Ulisse in patria, vermutlich 164O in Venedig uraufgeführt, führt uns zwar zu den Anfängen der Gattung Oper zurück, aber die Fragen, die das Werk aufwirft, muten erstaunlich modern an. Dabei spart Monteverdi auch Triviales nicht aus: Anhand der Figur des Iro zeigt er einen Vielfrass unter Penelopes Freiern, der sich nach deren Tod um sein leibliches Wohl betrogen sieht. Sein Lamento zwischen Ernst und Ironie ist einzigartig in der Geschichte der Oper.

Als Titelheld haben wir Tenor Kurt Streit engagiert, während Barockstar Sarah Mingardo die Penelope singt. Willy Decker, einem breiten Publikum durch seine Salzburger Traviata-Inszenierung bekannt geworden, zeichnet für die Inszenierung verantwortlich, während Robert Howarth den Abend musikalisch leitet.

Deutsch

Il ritorno d'Ulisse in patria
“Torna, deh torna Ulisse” (Return, Odysseus) – with these haunting words Penelope evokes the return of her husband, who has been missing since the outbreak of the Trojan War. She has been waiting for him for twenty years and stoically rejects the advances of the suitors who are ensnaring her. The hero Odysseus (Italian: Ulisse) finally finds his way back to his homeland after a ten-year odyssey at sea through an oversight by the powers that be. But Penelope doesn't recognize him anymore. She can only be convinced of the identity of the returnee after multiple tests. Perhaps Penelope Ulisse no longer wanted to be recognized? What does it mean when two people meet again after such a long time? Il ritorno d'Ulisse in patria, probably premiered in Venice in 164O, takes us back to the beginnings of the opera genre, but the questions the work raises seem surprisingly modern. In doing so, Monteverdi does not omit the trivial: Using the figure of Iro, he shows a glutton among Penelope's suitors, who sees himself cheated of his physical well-being after their death. His lament between seriousness and irony is unique in the history of opera.

We hired tenor Kurt Streit as the title hero, while baroque star Sarah Mingardo sings Penelope. Willy Decker, who became known to a wide audience through his Salzburg Traviata production, is responsible for the production, while Robert Howarth conducts the evening's music.

English

The Return of Ulysses to His Homeland by Monteverdi, fr. 30 mai 2014, Fra (2014/2014), I regi av Willy Decker,, Dirigent Robert Howarth, Opernhaus, Zurich, Switzerland

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