Name: Il trovatore
Start: 2013-11-29T00:00:00.000Z
End: 2013-12-22T00:00:00.000Z
Location: Schiller Theater

Admin

Organization

Singer

Baritone

Plácido Domingo

The Count of Luna

Soprano

Anna Netrebko

Leonora

Mezzo-soprano

Marina Prudenskaya

Azucena

Tenor

Gaston Rivero

Manrico

Bass

Adrian Sâmpetrean

Ferrando

Anna Lapkovskaja

Ines

Florian Hoffmann

Ruiz

Conductor

Daniel Barenboim

Stage director

Philipp Stölzl

Set designer

Conrad Moritz Reinhardt

Costume designer

Ursula Kudrna

Choreographer

Mara Kurotschka

Dramaturge

Jan Dvořák

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

ítalska

Il trovatore -  (The Troubadour)

Berlin

Germany

Schiller Theater

Gläsernes Foyer

"One of the most talked about productions in the world of opera....an undeniable triumph" (Mundoclasico.com) It was a real singing feast that the Berlin State Opera Unter den Linden presented to us in their temporary home in the Schillertheater at the premiere of Giuseppe Verdi's Il trovatore, the middle element of what has been dubbed the "Trilogia popolare" (Rigoletto, Il trovatore, La traviata), offered: Anna Netrebko and Placido Domingo in debut roles at the head of an impressive ensemble sensitively directed by fellow debutant Daniel Barenboim will.

Anna Netrebko, "in stunning form" (The Times), drew a portrait of Leonora that was compelling and immediate from start to finish. At her side - as a true find of the evening - Marina Prudenskaya shone in the role of the vengeful gypsy Azucena: "Extraordinary, this singer! Volcanic heat from the depths of her mezzo-soprano, razor-sharp her heights - and every shade of tenderness and ruthlessness can be found in between ." (Frankfurter Allgemeine Zeitung). Placido Domingo, once the most sought-after Manrico of his generation and here for the first time in the baritone role of Count von Luna, still radiates the "Domingo warmth of bygone times and his magical stage presence ennobles every evening at the opera" (Die Welt). To complete the foursome, Gaston Rivero is an attractive manrico "with an attractive timbre, well-considered phrasing, fine legato" (opera glass). "Finally, Daniel Barenboim's debut as the musical director of this work was positively sensational" (Berliner Zeitung). On the podium of "his" Berliner Staatskapelle "he creates wonderful moments of gentle tone.... and reveals an always fascinating Verdi" (Süddeutsche Zeitung), whose suggestive melodies captivate the audience.

Philipp Stölzl succeeds in a convincing interpretation of one of the most complicated love stories in opera history with jealousy, intrigue, revenge and murder in the conflict between two brothers who are bitter rivals for the hand of the beautiful Duchess Leonora. The internationally acclaimed music video artist, filmmaker and director blends historical and modern elements in a colorful Alice in Wonderland-inspired production, brilliantly realizing in surrealistic video projections and a choreography of scenic lighting that opens up the simple stage area with constantly new perspectives Verdi's consistently cinematic alternation between past and present. "The aesthetic creates a tone of classic and comical," writes Musical America, " a glamorous display and a virtuoso stylistic mix for this production bearing the Philipp Stölzl signature,” agrees Le Monde. The lavish historical costumes by Ursula Kundra and "the colorful shadow-casting expert light by Olaf Freese" (Express, UK) make their own contribution to a brilliant production.

Il trovatore Verdi

Public

The Troubadour

þýska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Anna Netrebko, Plácido Domingo & Daniel Barenboim - Il Trovatore - Verdi (Trailer) Listen to „Il Trovatore“ – http://www.deutschegrammophon.com/cat/0735132Su...

"One of the most talked about productions in the world of opera....an undeniable triumph" (Mundoclasico.com) It was a real song festival that the Berlin State Opera Unter den Linden presented to us in their temporary home in the Schillertheater at the premiere of Giuseppe Verdi's Il trovatore, the middle element of what has been dubbed the "Trilogia popolare" (Rigoletto, Il trovatore, La traviata), offered: Anna Netrebko and Placido Domingo in debut roles at the head of an impressive ensemble sensitively directed by fellow debutant Daniel Barenboim will.

Anna Netrebko, "in stunning form" (The Times), drew a portrait of Leonora that was compelling and immediate from start to finish. At her side - as the true find of the evening - Marina Prudenskaya shone in the role of the vengeful gypsy Azucena: "Extraordinary, this singer! Volcanic heat from the depths of her mezzo-soprano, razor-sharp her heights - and every shade of tenderness and ruthlessness can be found in between ." (Frankfurter Allgemeine Zeitung). Placido Domingo, once the most sought-after Manrico of his generation and here for the first time in the baritone role of Count von Luna, still radiates the "Domingo warmth of bygone times and his magical stage presence ennobles every opera evening" (Die Welt). To complete the foursome, Gaston Rivero is an attractive manrico "with an attractive timbre, well-considered phrasing, fine legato" (opera glass). "Finally, Daniel Barenboim's debut as the musical director of this work was positively sensational" (Berliner Zeitung). On the podium of "his" Berliner Staatskapelle "he creates wonderful moments of gentle tone.... and reveals an always fascinating Verdi" (Süddeutsche Zeitung), whose suggestive melodies captivate the audience.

Philipp Stölzl succeeds in a convincing interpretation of one of the most complicated love stories in opera history with jealousy, intrigue, revenge and murder in the conflict between two brothers who are bitter rivals for the hand of the beautiful Duchess Leonora. The internationally acclaimed music video artist, filmmaker and director blends historical and modern elements in a colorful Alice in Wonderland-inspired production, brilliantly realizing in surrealistic video projections and a choreography of scenic lighting that opens up the simple stage area with constantly new perspectives Verdi's consistently cinematic alternation between past and present. "The aesthetic creates a tone of classic and comical," writes Musical America, " a glamorous display and a virtuoso stylistic mix for this production bearing the Philipp Stölzl signature,” agrees Le Monde. The lavish historical costumes by Ursula Kundra and "the colorful shadow-casting expert light by Olaf Freese" (Express, UK) make their own contribution to a brilliant production.

English

The Troubadour by Verdi, mið 11 des 2013, Frá (2013/2013), Leikstýrt af Philipp Stölzl,, Hljómsveitarstjóri Daniel Barenboim, Schiller Theater, Berlin, Germany

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