Name: Iphigénie en Tauride
Start: 2022-02-25T00:00:00.000Z
End: 2022-03-01T00:00:00.000Z
Location: Théâtre des Arts

Organization

Musikfestspiele Potsdam Sanssouci

Direction d'orchestre

Christophe Rousset

Mise en scène

Robert Carsen

Resumption of the staging

Christophe Gayral

Chorégraphie

Philippe Giraudeau

Décors

Tobias Hoheisel

Costumes

Lumières

Peter van Praet

Soprano

Hélène Carpentier

Iphigénie

Baryton

Jérôme Boutillier

Oreste

Ténor

Ben Bliss

Pylade

Basse

Pierre-Yves Pruvot

Thoas

Iryna Kyshliaruk

Diane

Sophie BOYER

Prêtresses

Julien CLEMENT

Un ministre du Sanctuaire

Une femme grecque

Arnaud Richard

Un Scythe

Opéra de Rouen Normandie

Others

accentus - Opéra de Rouen

Orchestra

Orchestre de l’Opéra de Rouen Normandie

Les Talens Lyriques

français

Iphigénie en Tauride

Rouen

France

Théâtre des Arts

Iphigénie en Tauride Gluck

Public

Valide

In his sublime and refined staging in the form of a mental space, Robert Carsen offers Gluck's lyrical tragedy a setting worthy of the work.

In Iphigénie en Aulide (1774), Gluck triumphed at the Court of Marie-Antoinette. Five years later, he resumed the mythological character for another opera: Iphigénie en Tauride. While in the first, Agamemnon's daughter is sacrificed to the gods, in the second, it is she who must consider sacrificing her own brother Orestes! Under Gluck's pen, ancient tragedy becomes a new milestone in his lyrical reform aimed at purging opera of its excesses. Overture in the form of a storm, moving airs, balance of speech and music explain the immediate success of this score which will open the way to romantics like Berlioz or Wagner. A connoisseur of Gluck, Robert Carsen restores all its power to this tragedy, illuminated by the soprano Hélène Carpentier who will make her debut in this great role.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Coproducteur