Name: Jordan, Urmana, Bretz, Aimard Beethoven, Bartók
Start: 2016-05-11T00:00:00.000Z
End: 2016-05-13T00:00:00.000Z
Location: Musikverein

Admin

Vienna Symphony Orchestra

Musikverein

Conductor

Philippe Jordan

Orchestra

Instrumentalist

Pierre-Laurent Aimard

Piano

Singer

Bass-baritone

Gábor Bretz

Bluebeard

Soprano

Violeta Urmana

Judith

Jordan, Urmana, Bretz, Aimard / Beethoven, Bartók

Vienna

Austria

Großer Saal

Public

Concert

Piano Concerto No. 2 in B♭ major, op. 19

Bluebeard's Castle

Teja Boyidi

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Tenor

Baritone

Countertenor

Bass

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Das finale Programm des saisonalenn Dialogs zwischen Beethovens Klavierkonzerten und Béla Bartóks Orchesterwerken stellt zweifellos auch einen der künstlerischen Höhepunkte der gesamten Spielzeit dar. Am Beginn des Programms steht das Zweite Klavierkonzert, chronologisch eigentlich die Nr. 1 und überhaupt das erste größere Orchesterwerk Beethovens. Im Ausdruck noch am Vorbild Haydn und Mozart orientiert, offenbart es durch plötzliche, unerwartete harmonische Wendungen doch schon den Innovationsgeist des Komponisten. Die zweite Hälfte des Programms gehört dann Bartóks einziger Oper. In Herzog Blaubarts Burg verbirgt sich hinter sieben verbotenen Türen ein düsteres Geheimnis, dessen Ergründung einer jungen Frau zum Verhängnis wird. Vertont entlang der ungarischen Sprache, nutzte Bartók diese Entdeckungsreise, um durch die intensive Beschäftigung mit der ungarischen Volks- und Bauernmusik eine neuartige und einzigartige Musiksprache zu entwickeln.

Deutsch

The finale to this season's dialogue between Beethoven's piano concertos and Béla Bartók's orchestral works is undoubtedly one of the artistic high points of the entire season. Opening the programme is the Second Piano Concerto, chronologically actually No. 1 and Beethoven's first large orchestral work in any genre. Still oriented in its expression towards Haydn and Mozart, it reveals the composer's spirit of innovation through sudden, unexpected harmonic shifts. The second half of the concert belongs to Bartók's only opera. In Bluebeard's Castle, a murky secret lies hidden behind seven locked doors and uncovering this secret will be a young woman's undoing. Composed for the Hungarian language, Bartók used this journey of discovery to work intensively with Hungarian folk and peasant music, in the process developing a new and unique musical language.

English

Jordan, Urmana, Bretz, Aimard / Beethoven, Bartók by Beethoven, Bartók, From (2016/2016), Conductor Philippe Jordan, Musikverein, Vienna, Austria

Performance credits (Cast & Crew )

Instrumentation

Ensemble

Programme, About & Synopsis

Further reading

Performance Dates & Venues

Venues