Name: La Bohème
Start: 2021-12-12T00:00:00.000Z
End: 2022-01-04T00:00:00.000Z
Location: Teatro Real

Organization

Bass

Baritone

Roberto Accurso

Alcindoro

Stage director

Richard Jones

Lighting designer

Mimi Jordan Sherin

Costume designer

Stewart Laing

Set designer

Choreographer

Sarah Fahie

Chorus master

Andrés Máspero

Chorus master (+2)

Ana González

Librettist

Giuseppe Giacosa

Librettist (+1)

Luigi Illica

Assistant Stage Director

Stage director (+3)

José Darío Innella

Teatro Real de Madrid

Royal Ballet and Opera

Others

Intermezzo

Orchestra

Madrid Symphony Orchestra

Pequeños Cantores de la JORCAM

Teatro Real

Conductor

Nicola Luisotti

Soprano

Ermonela Jaho

Mimi

Tenor

Michael Fabiano

Rodolfo

Ruth Iniesta

Musetta

Lucas Meachem

Marcello

Joan Martín-Royo

Schaunard

Krzysztof Bączyk

Colline

Vicenç Esteve

Benoît

Eleonora Buratto

Andeka Gorrotxategi

Raquel Lojendio

Andrzej Filończyk

Manel Esteve Madrid

Solomon Howard

Pablo Garcia Lopez

Luis Miguel Méndez

italština

La Bohème

Madrid

Spain

Sala Principal

La bohème Puccini

Staged

Opera

španělština

angličtina

Approved

La Bohème Puccini

Streaming: Friday 11 December 2020 at 7pm GMT, broadcast online as part of the Royal Opera House's #OurHouseToYourHouse series. Available to watch until 10 J...

Trailer: Stream La bohème (2020) 11 December 2020

Ruggero Leoncavallo and Giacomo Puccini both composed - almost simultaneously -    their respective versions of La bohème. The episodic nature of the literary source of these works –Scènes of la vie bohéme by Henri Murger was originally published in a literary magazine. It allowed both authors to put together very different librettos with one characteristic in common: both are a kaleidoscopic portrait of a community of young artists in an idealized Paris of the 1840s.  However, whereas for the composer of Pagliacci , Murger’s scenes of Bohemian life were replicated in  the cocktail of infidelities and jealousies that had brought him the success of his most emblematic piece, Puccini tempered the verista aspects of the story by transforming his opera into an everlasting ode to youth with a final and bitter nod to its inevitable impermanence.  The production by Richard Jones, which we remember from the 2017-2018 season, approaches this ≪ indestructible title ≫ with a respect for tradition, but taking its distance. The audience watches the stage hands shift scenery, perhaps in keeping  with a Puccini who  set aside raw verismo in order to preserve, as if wrapped in amber,  a piece of reality.

English

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