Name: La finta giardiniera
Start: 2022-01-28T00:00:00.000Z
End: 2022-02-17T00:00:00.000Z
Location: Staatstheater

Organization

Conductor

Christian Rohrbach

Stage director

Cordula Däuper

Set designer

Pascal Seibicke

Costume designer

Sophie Du Vinage

Lighting designer

Stefan Bauer

Dramaturge

Christin Hagemann

Mark Schachtsiek

Tenor

Steven Ebel

Don Anchise

Soprano

Julietta Aleksanyan

Marchioness Violante/ Sandrina

Johannes Mayer

Belfiore

Myungin Lee

Netta Or

Arminda

Mezzo-soprano

Verena Tönjes

Ramiro

Solenn' Lavanant-Linke

Alexandra Samouilidou

Serpetta

Bass

Brett Carter

Nardo

Singer

Orlando Klaus

Liftboy

Staatstheater Mainz

Orchestra

Philharmonisches Staatsorchester Mainz

La finta giardiniera -  (The Pretend Garden-Girl, K. 196)

Mainz

Germany

Staatstheater

Großes Haus

La finta giardiniera Mozart

Public

The Pretend Garden-Girl, K. 196

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Countertenor

Baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Staatstheater Mainz, 2021Musikalische Leitung: Christian RohrbachInszenierung: Cordula Däuper

Nardo (La Finta Gardiniera)

“Däuper lets the elevator boy tell the story. That's a double benefit - firstly in terms of overview, - secondly in terms of the charming wit that Orlando Klaus brings with him." (Wiesbadener Kurier/AZ)


Uncontrolled jealousy sets the merry-go-round of love in motion: Belfiore injures his lover Violante in an emotional state, believes he has killed her and flees. But he's wrong.
Violante is alive and goes in search of him. Under the alias Sandrina, she hires herself out as a florist in a hotel, knowing that Belfiore will come there. After all, he is supposed to marry the niece of the hotel manager. But Belfiore and Violante aren't the only ones caught up in the entangled adventures of love. The hotel guests and employees present also get caught up in the web of expectation, hope and disappointment inherent in love.

At the age of 19, Mozart took on one of the great themes of humanity with a wink: love. In his groundbreaking work, the composer masterfully intertwines elements of serious opera seria and cheerful opera buffa, knowing that there are many varieties of this genre. Impressed by the first performance in 1775, the poet Christian Friedrich Daniel Schubart predicted: "If Mozart is not a plant grown in a greenhouse, then he must be one of the greatest musical composers who have ever lived."

English

The Pretend Garden-Girl, K. 196 by Mozart, ol. 28 urt. 2022, Noiztik (2022/2022), Zuzendaria Cordula Däuper,, Zuzendaria Christian Rohrbach, Staatstheater, Mainz, Germany

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