Name: Le nozze di Figaro
Start: 2013-03-07T00:00:00.000Z
End: 2013-03-09T00:00:00.000Z
Location: Perm Tchaikovsky Opera and Ballet Theatre

Organization

Conductor

Teodor Currentzis

Stage director

Philipp Himmelmann

Set designer

Johannes Leiacker

Costume designer

Florence von Gerkan

Lighting designer

Davy Cunningham

Chorus master

Vitaly Polonsky

Assistant Director

Fabian von Matt

Festspielhaus Baden-Baden

Perm Tchaikovsky Opera and Ballet Theatre

italų

Le nozze di Figaro -  (The Marriage of Figaro)

Perm

Russia

Le nozze di Figaro Mozart

Public

Private

The Marriage of Figaro

rusų

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Soprano

Countertenor

Mezzo-soprano

Bass-baritone

Bass

Tenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

The opera was written in 1786. This version was first performed in Perm in 2012. Running time: 3 hours 25 minutes including 1 interval

Figaro, Count Almaviva’s valet, intends to marry Susanna, the countess’s maid. However, the Count does all he can to prevent the marriage, as he has taken a fancy to Susanna himself. The resourceful servant could easily wind the old voluptuary around his little finger, but his master’s house is full of plotters determined to spite the young hero. The plot was taken from a comedy by French dramatist Pierre Beaumarchais entitled The Mad Day, or the Marriage of Figaro (1781). The play was censored for three years on account of its caustic satire of the aristocracy, until public opinion obliged Louis XVI to lift the prohibition. The scandal surrounding the play only encouraged Mozart to write his opera. The composer and librettist concealed the social subtext in a comedy of morals with witty dialogue and metamorphoses. 

In Philipp Himmelmann’s production, the action of the opera is transposed into the realm of abstraction and symbolic details: Mozart’s garden is reduced to a single tree; the action takes place on a boarded platform; the artists throw earth at one another; and a black sun hovers erotically and threateningly over the action.

English

The Marriage of Figaro by Mozart, šeš 09 kov 2013, Nuo (2013/2013), Režisierius Philipp Himmelmann,, Dirigentas Teodor Currentzis, Perm Tchaikovsky Opera and Ballet Theatre, Perm, Russia

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