Name: Les Pêcheurs de perles
Start: 2021-09-13T00:00:00.000Z
End: 2022-05-15T00:00:00.000Z
Location: Chelyabinsk State Opera

Organization

Śpiewak

Sopran

Tamara Kasumova

Leïla

Tenor

Yaroslav Abaimov

Nadir

Baryton

Azamat Tsaliti

Zurga

Kirill Filin

Nourabad

Reżyseria

Vladislavs Nastavševs

Reżyseria światła

Anton Stikhin

Kostiumy

Elisei Kostsov

Przygotowanie chóru

Alexander Rybnov (II)

Pavel Suchkov

Dyrygent

Alexey Vereshchagin

Konstantin Artemiev

Pyotr Melentyev

Konstantin Suchkov

Roman Bobrov

Tatiana Koninskaya

Tat'jana Fedotova

Alexey Prokopyev

David Tselauri

Bolshoi Theatre

francuski

Les Pêcheurs de perles -  (Poławiacze pereł)

Czelabińsk

Rosja

Chelyabinsk State Opera

Les Pêcheurs de perles Bizet

Public

Poławiacze pereł

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Kontratenor

Mezzosopran

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

The premiere of the opera Pearl Seekers by Georges Bizet, written to a libretto by Eugene Cormon and Michel Carré, took place on the stage of the Lyric Opera in Paris on September 30, 1863. It was the first opera performed on stage by the 24-year-old composer.

The plot is the story of the rivalry between two friends, the pearl divers Zurga and Nadir, who are both in love with the beautiful Leila. It unfolds against the backdrop of the exotic landscapes of the island of Ceylon (the unusual entourage of exotic countries was used as an additional decoy for the audience in many French operas). And Leila will have to make a much more difficult choice: between duty and feeling. As in most romantic stories, feeling wins: the priestess of Brahma Leila does not remain indifferent to Nadir's passionate confessions and breaks her vow of purity and celibacy. The lovers are expected to be executed, but they unexpectedly manage to escape: they flee from custody during a fire set up by Zurga. In the key theme of the plot - the perjury of the priestess - echoes of two famous predecessors of Bizet's opera are clearly "audible": "Vestals" by Gaspare Spontini and "Norma" by Vincenzo Bellini. The obsession with feelings has determined the lyrical tone prevailing in the music. It is no coincidence that the most recognizable pages of The Pearl Seekers are the melancholy beautiful Romance of Nadir and the duet of Nadir and Zurga from the first act, filled with memories and vows in eternal friendship.

The Pearl Seekers withstood eighteen performances and after that did not return to the stage during the composer's life. After his death, in 1886, the opera was staged at the Teatro alla Scala - in Italian and in a highly modified, "dramatized" finale. The following year, The Seekers appeared at London's Covent Garden Theater, and in 1889 finally returned to the French stage. At the same time, the opera was first heard in St. Petersburg: it was performed by the artists of Alexei Kartavov's private enterprise. Various score versions (including a final trio specially composed by violinist and composer Benjamin Godard) have been published and used for future productions in Europe and North America.

The interest in the Pearl Seekers was primarily caused by the unfading fame of Carmen. This also happened at the Bolshoi Theater. On December 3, 1903, the premiere took place in the building of the New Theater, and in 1906 the performance was moved to the main stage. The main parts were performed by Antonina Nezhdanova (Leila), Leonid Sobinov (Nadir), Alexander Gerasimenko (Zurga), Matvey Goryainov (Nurabad), the conductor was maestro Ulrich Avranek. After a short resumption of the production in the mid-1920s - conducted by Vasily Nebolsin - the opera did not return to the Bolshoi Theater for almost a century.

On December 10, 2020, the premiere took place on the Chamber Stage. A new version of the opera was chosen, made by conductor Brad Cohen based on the author's conductor's score and manuscripts discovered in the 1990s and kept in the National Library of France (conducted by Alexei Vereshchagin). The production team, led by the director and set designer Vladislavs Nastavshevs, has created an ascetic, minimalist performance in which every mise-en-scene and gesture are significant. According to the director, he set the goal "not to illustrate events, but to enable the viewer to present this story, making a dive into himself."

English

Poławiacze pereł by Bizet, czw 12 maj 2022, od (2021/2022), W reżyserii Vladislavs Nastavševs,, Dyrygent Alexey Vereshchagin, Chelyabinsk State Opera, Czelabińsk, Rosja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca