Name: L'Heure espagnole
Start: 2015-05-28T00:00:00.000Z
End: 2015-06-23T00:00:00.000Z
Location: Theater am Fleischmarkt

Admin

Organization

Soprano

Natalia Kawałek-Plewniak

Concepcion

Tenor

Vladimir Dmitruk

Gonzalve

Baritone

Tobias Greenhalgh

Ramiro

Bass

Christoph Seidl

Don Inigo Gomez

Conductor

Gelsomino Rocco

Stage director

Philipp M. Krenn

Costume designer

Uta Gruber-Ballehr

Set designer

Libretto

Guillaume Apollinaire

Franc- Nohain

MusikTheater an der Wien

franču

L'Heure espagnole -  (The Spanish Hour)

Vienna

Austria

Theater am Fleischmarkt

The Spanish Hour

vācu

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Mezzo-soprano

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

L'heure espagnole / Les mamelles de Tirésias

Maurice Ravel (1875-1937) and Francis Poulenc (1899-1963) wanted to revive the genre of Italian opera buffa from the spirit of the French language with their works L'heure espagnole and Les mamelles de Tirésias . An undertaking that was initially unsuccessful in both cases, as both pieces failed with large sections of the audience when they were first performed at the Opéra Comique. A judgment that has long been refuted, because both works are among the most humorous and successful compositions that the 20th century has produced in this genre.

In Ravel's L'heure espagnole, the fixed weekly appointment that the watchmaker spends away from home suits his wife at just the right time. She ordered the young poet Gonzalve to go on a rendezvous. However, she has not planned on the donkey driver Ramiro, who is waiting for her husband to return because of an urgent repair of his watch. A grotesque game of confusion and hide-and-seek begins, which threatens to spiral out of control with the appearance of a love-hungry banker.

A gender swap determines what happens in Poulenc's comical grotesque Les mamelles de Tirésias. A woman, tired of male rule, shed her breasts and mutated into a general. Her husband then decides to take care of having children himself and gives birth to more than 1,000 children.

English

The Spanish Hour by Ravel, S 20 jūn 2015, No (2015/2015), Režisēja Philipp M. Krenn,, Diriģents Gelsomino Rocco, Theater am Fleischmarkt, Vienna, Austria

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