Name: Madama Butterfly
Start: 2014-04-15T00:00:00.000Z
End: 2014-04-19T00:00:00.000Z
Location: Anthéa

Organization

Conductor

Győriványi György

Stage director

Daniel Benoin

Lighting designer

Set designer

Jean-Pierre Laporte

Costume designer

Nathalie Bérard-Benoin

Françoise Raybaud

Singer

Soprano

Cellia Costea

Cio-Cio-San

Mezzo-soprano

Svetlana Lifar

Suzuki

Deborah Leonetti

Kate Pinkerton

Baritone

Giuseppe Altomare

Sharpless

Bass

Ramaz Chikviladze

Uncle Bonze

Steven Cole

Tenor

Richard Rittelmann

Prince Yamadori

Jean-Luc Zakine

The official registrar

Anthéa

Madama Butterfly -  (Madame Butterfly)

Antibes

France

Public

Madame Butterfly

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Madama Butterfly Puccini

l’histoire
US Navy Lieutenant Pinkerton is going to marry Madame Butterfly. Sharpless, the American consul in Nagasaki disapproves of Pinkerton's whim and the levity of his behavior because the young geisha is sincerely in love with the lieutenant. She even decides to renounce the religion of her ancestors and adopt her own. For this, she will be disowned by her family. Three years have passed. Butterfly, full of hope and confidence, is still waiting for Pinkerton. She is certain that he will hasten her return…

What they say
Madame Butterfly is one of Puccini's last operas, a sort of bridge between La Bohème and Turandot , between the simple love story impossible due to illness and the tyrannical empress who loves in spite of herself. In Madame Butterfly , no disease or excess of power but a real conflict of cultures, a clash of civilizations. Whether the American invasion is that of the end of the 19th century, the period in which Puccini places his opera, or when the conflict becomes terrifying (1941-1945), the story is the same: a victorious American officer facing a young Japanese fascinated by the man, his bearing, his victory and ready to sacrifice everything for his forbidden happiness. I preferred to choose the Nagasaki of August 45, after the A-bomb, to that after the cannon shots of the battleship Abraham Lincoln. The tensions are stronger, the drama more extreme, the folklore less present. It is this version that I will present in Antibes with the fervor of being present on the set of Anthéa for the first time and the nervousness that this can cause. Daniel Benoin

what they think
It was within the framework of the drama of Nagasaki in 1945 that director Daniel Benoin transposed the story of Puccini's opera. His show is incredibly powerful. Madame Butterfly is served by a marvelous soprano, Cellia Costea, who is admirable both vocally and dramatically. in the end it is not a bomb that explodes, but bravos. André Peyregne, Nice-Matin

English

Madame Butterfly by Puccini, Sib 19 Apr 2014, Minn (2014/2014), Immexxi minn Daniel Benoin,, Surmast Direttur Győriványi György, Anthéa, Antibes, France

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