Name: Madama Butterfly
Start: 2024-07-05T00:00:00.000Z
End: 2024-07-22T00:00:00.000Z
Location: Théâtre de l'Archevêché

Organization

Admin

Festival d'Aix en Provence

Opéra de Lyon

Komische Oper Berlin

Conductor

Daniele Rustioni

Stage director

Andrea Breth

Set designer

Raimund Orfeo Voigt

Costume designer

Ursula Renzenbrink

Lighting designer

Alexander Koppelmann

Dramaturge

Klaus Bertisch

Soprano

Ermonela Jaho

Cio-Cio-San

Tenor

Adam Smith

B.F. Pinkerton

Mezzo-soprano

Mihoko Fujimura

Suzuki

Baritone

Lionel Lhote

Sharpless

Carlo Bosi

Goro

Bass

Inho Jeong

Uncle Bonze

Kristofer Lundin

Prince Yamadori

Albane Carrère

Kate Pinkerton

Kristján Jóhannesson

The imperial commissioner

Orchestra

Lyon Opera Orchestra

Others

Lyon Opera Choir

italiană

Madama Butterfly -  (Madame Butterfly)

Aix-en-Provence

France

Théâtre de l'Archevêché

Public

Private

Madame Butterfly

Sharan Allad

franceză

engleză

Approved

After Tosca (2019), which marked Puccini’s entry into its repertoire, the Festival celebrates the centenary of the composer’s death this year by putting on his ‘Japanese tragedy’ Madame Butterfly: the cruel story of a vulnerable but strong and wilful heroine, driven by her blind perseverance to ritual suicide. By enveloping her with a bright lyricism and a supremely refined orchestration, Puccini reaches the heart of his artistic identity – reminding us of the real pleasure of tears. We have here a truth far from all verismo, according to Andrea Breth who suggests that everything in this work is a matter of perception and artifice: the relationship between the other singers and Butterfly, between Puccini together with his librettists and Japan, and between audiences and the opera. Conducting the orchestra of the Opéra de Lyon, Daniele Rustioni offers the finest of backdrops to Ermonela Jaho, whose rare combination of force and delicacy has made her a go-to choice in this wonderful yet harrowing role, in which she is making her prized debut in Aix.

English

Après Tosca (2019), qui avait marqué l’entrée de Puccini à son répertoire, le Festival célèbre le centenaire de la mort du compositeur en programmant cette année sa « tragédie japonaise » Madama Butterfly : le parcours empreint de cruauté d’une héroïne vulnérable mais frémissant de force et de volonté, qu’une constance aveugle contraint au suicide rituel. En l’enveloppant d’un lyrisme solaire et d’une orchestration suprêmement raffinée, Puccini atteint le cœur de son identité artistique – nous rappelant le plaisir vrai des larmes. Une vérité loin de tout vérisme selon Andrea Breth, qui suggère que tout, dans cette œuvre, est affaire de regard et d’artifice : la relation des personnages à Butterfly, de Puccini et ses librettistes au Japon et des spectateurs à l’opéra. À la tête des forces de l’Opéra de Lyon, Daniele Rustioni offre le plus beau des écrins à Ermonela Jaho, qu’un alliage rare de vaillance et de délicatesse a imposée comme référence dans ce rôle admirable et crucifiant par lequel elle fait des débuts attendus à Aix.

français

Madame Butterfly by Puccini, Mie 10 Iul. 2024, De la (2024/2024), Regizat de către Andrea Breth,, Dirijor Daniele Rustioni, Théâtre de l'Archevêché, Aix-en-Provence, France

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