Artist

Admin

Theater Bonn

Chanteur

Ténor

George Oniani

B.F. Pinkerton

Mezzo-soprano

Susanne Blattert

Suzuki

Baryton

Giorgos Kanaris

Sharpless

Basse

Tobias Schabel

Lo zio Bonzo (Le Bonze)

Johannes Mertes

Le Prince Yamadori

Soprano

Ulrike Gmeiner

La tante

Johannes Marx

Le commissaire Impérial

Ji Young Mennekes

La mère de Cio-Cio-San

Mise en scène

Mark Daniel Hirsch

Décors

Helmut Stürmer

Costumes

Dieter Hauber

Lumières

Max Karbe

Yannick-Muriel Noah

Cio-Cio-San

Direction de choeur

Marco Medved

Direction d'orchestre

Dirk Kaftan

Hermes Helfricht

Anna Princeva

Carl Rumstadt

Tae Hwan Yun

Goro

Mark Morouse

Sarah Mehnert

Kate Pinkerton

Mary Rosada

La cousine

Orchestra

Beethoven Orchester Bonn

Others

Choir of the Bonn Theater

Extras of the Theater Bonn

Pavel Kudinov

Jongmyung Lim

Yakusidé

Eduardo Aladrén

Fleuranne Brockway

Karin Strobos

Rafael Bruck

Daegyun Jeong

Dmitri Vargin

L'officier d'État-civil

Maria Teresa Leva

italien

Cristina Pardo Ramírez

Madama Butterfly

Madama Butterfly Puccini

Public

Madame Butterfly

allemand

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Contre-ténor

Contralto

Baryton-basse

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

On the night of its world premiere at the Teatro alla Scala di Milano on 17 February 1904, Giacomo Puccini’s opera, probably his most popular to date, experienced a fiasco: Possibly goaded on by an intrigue, the audience flatly rejected this tragedy of a Japanese woman. This, however, is a fate that the work shares with many other worldwide hits of the operatic canon: Georges Bizet’s CARMEN or Kurt Weill’s RISE AND FALL OF THE CITY OF MAHAGONNY only became favourites of opera audiences over time. Giacomo Puccini, however, believed in his work: My Butterfly remains what it is. The most emotional opera that I have ever written! He was to be proved right: Only a few months after the initial debacle, MADAMA BUTTERFLY celebrated a resounding success at Teatro Grande Brescia in a (slightly) modified version.

Nagasaki, Japan, around 1900: Pinkerton, a lieutenant in the American Navy, has fallen in love with 15-year-old Cio-Cio-San, also called Butterfly. Their wedding, conducted according to Japanese ritual, however, is only a formal farce to him, and soon afterwards, his human toy finds herself alone with their son. Three years later, Pinkerton returns to Japan, but not for her sake. With his new wife, he wants to take the child to live with him in America. Cio-Cio-San takes her own life.

English

Madama Butterfly by Puccini, jeu. 07 mars 2024, Du (2024/2024), Dirigé par Mark Daniel Hirsch,, Chef d'orchestre Dirk Kaftan, Hermes Helfricht

Crédits de représentation (Distribution et équipe de production )

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles