Organization

Bass

Lisandro Abadie

Tenor

Moritz Kallenberg

Countertenor

Damien Guillon

Soprano

Gwendoline Blondeel

Rachel Redmond

Conductor

William Christie

Les Arts Florissants

Magnificat - Ascension Oratorio - Suite for orchestra no.3

Leipzig

Germany

Public

Concert

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contralto

Singer

Mezzo-soprano

Bass-baritone

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Magnificat - Ascension Oratorio - Suite for orchestra no.3: Concert Various

For several years now, Les Arts Florissants has been committed to presenting its vision of Johann Sebastian Bach's great sacred works to audiences in the world's greatest concert halls. Each time, this vision has impressed audiences and the press with its novelty (particularly in terms of tempi and instrumentation) as well as with its depth. Thus, after the Christmas Oratorio, the Mass in B minor and the St. John Passion, William Christie wished to tackle, in the spring of 2021, the Magnificat BWV 243.

This work of reference, which makes its debut in the repertoire of Les Arts Florissants, was written between 1728 and 1731 for the Visitation of the Virgin Mary. Its monumentality and the sacred spirit that animates it will provide a new opportunity to highlight the dramatic power of the Arts Florissants choir and the infinite expressive palette of the orchestra.

English

Magnificat - Ascension Oratorio - Suite for orchestra no.3 by Various, Δευ 13 Ιουν 2022, Aπό (2022/2022), αγωγός William Christie

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