Name: Médée
Start: 2023-07-06T00:00:00.000Z
End: 2023-07-16T00:00:00.000Z
Location: Staatsoper Unter den Linden

Organization

Singer

Soprano

Sonya Yoncheva

Medea

Contralto

Marina Prudenskaya

Neris

Conductor

Oksana Lyniv

Stage director

Andrea Breth

Set designer

Martin Zehetgruber

Costume designer

Carla Teti

Lighting designer

Olaf Freese

Tenor

Charles Castronovo

Giasone

Slávka Zámečníková

Glauke

Regina Koncz

Confidantes de Dircé

Maria Hegele

State Opera Berlin

Others

Staatsopernchor Berlin

Orchestra

Staatskapelle Berlin

Bass

Peter Schöne

King Creon

franska

Médée -  (Medea)

Berlin

Germany

Staatsoper Unter den Linden

Médée

Public

þýska

enska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Mezzo-soprano

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Médée season 2018/19 | Opera in three acts (1797) | Music by Luigi Cherubini | Text by François-Benoît Hoffman Médée Season 2018/19 | Opera in three acts (1797) | Music by Luigi Cherubini | Text by François-Benoît Hoffman Musical Director / Musical Director Daniel Barenboim Staging / Director Andrea Breth Stage picture / Set Designer Martin Zehetgruber costumes / Costume Designer Carla Teti Licht / Light Design Olaf Freese Reduction Choir / Choir Master Wright Dramaturgy is one of the most impressive and strangely fascinating figures in Greek mythology. Medea, endowed with magical powers, who has come from the edge of the world to the center of civilization, is transformed into an avenging angel. She is driven by the anger and disappointment she experienced from Jason, whom she helped win the most valuable treasure, the Golden Fleece, whom she married and who left her ungratefully. In Corinth, where Jason wants to celebrate his wedding with the daughter of King Creon, a tragic event develops - the miserable Medea brings misery to the others and does not even shy away from infanticide. In the 5th century BC, the Attic poet Euripides put this ancient myth into words in a drama and brought it to the stage. Luigi Cherubini's opera, which premiered in Paris in 1797, draws on this and opens up new horizons for this classical material with the means of a dramatically accentuated, theatrically enormously effective musical language. Rarely has the figure of Medea been given such succinctness and poignancy as here.

Médée Cherubini

Ein uralter Mythos und doch von spürbarer Aktualität: Medea, aus der Peripherie der bekannten Welt stammend und sichtlich eine Fremde im zivilisierten Land, stört Ruhe und Ordnung, wird zum hasserfüllten, Tod und Zerstörung bringenden Racheengel. Seit den antiken Tragödiendichtern ist der Stoff um Medea, Jason und das Goldene Vlies vielfach auf die Theater- und Opernbühne gekommen, so auch um 1800 in Paris.

Der gebürtige Florentiner Luigi Cherubini war in den 1780er Jahren in die französische Metropole gekommen, um dort als Opernkomponist zu reüssieren. Mit seiner »Medée« von 1797 gelang ihm ein respektabler Erfolg, der über das folgende Jahrhundert anhalten sollte. Durch die dramatisch intensivierte gesangliche wie darstellerische Leistung von Maria Callas erfuhr das Werk in den 1950er Jahren neue Aufmerksamkeit. Inspiriert von den tragischen Antikenopern Glucks schuf der Wahlpariser Cherubini, der sich zu den einflussreichsten Persönlichkeiten der Musik seiner Zeit entwickelte, ein Werk von tiefgründigem Ernst und einer monumentalen, eindrucksvollen Tonsprache, mit großen Szenen für die Protagonistin, kompositorisch hervorragend gearbeiteten Chor- und Ensemblesätzen sowie atmosphärisch dichten Instrumentaleinleitungen zu jedem der drei Akte. Die Titelheldin Medea aber ist und bleibt im Zentrum – wenn sie einmal die Bühne betreten hat, zieht sie Alle und Alles unweigerlich in ihren Bann.

Deutsch

An ancient myth and yet noticeably topical: Medea, who comes from the periphery of the known world and is obviously a stranger in a civilized country, disturbs the peace and order, becomes a hateful, avenging angel bringing death and destruction. Ever since the ancient tragic poets, the subject matter of Medea, Jason and the Golden Fleece has often found its way onto the theater and opera stage, including around 1800 in Paris.

English

Medea by Cherubini, mið 12 júl 2023, Frá (2023/2023), Leikstýrt af Andrea Breth,, Hljómsveitarstjóri Oksana Lyniv, Staatsoper Unter den Linden, Berlin, Germany

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