Name: Mendelssohn's Reformation
Start: 2024-10-18T00:00:00.000Z
End: 2024-10-19T00:00:00.000Z
Location: Touhill Performing Arts Center

Admin

St. Louis Symphony Orchestra

Conductor

David Danzmayr

Orchestra

Instrumentalist

Pianist

Conrad Tao

Piano

Mendelssohn's Reformation

St. Louis

United States

Touhill Performing Arts Center

Public

Concert

Ballade in A minor, Op. 33

Piano Concerto No. 2 in G minor

Symphony No. 5 in D major/D minor

Saurav Kumar

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Bass

Mezzo-soprano

Soprano

Countertenor

Contralto

Tenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

David Danzmayr returns to the SLSO with pleas for unity and progress from Felix Mendelssohn and James MacMillan. Mendelssohn’s radiant "Reformation" symphony culminates in a blazing hymn. Samuel Coleridge-Taylor was just 23 when he wrote his lush Ballade, a work pointing to great things. And soloist Conrad Tao shares Camille Saint-Saëns’ Piano Concerto No. 2, a work he calls “both charming and dramatic.”

A few things to know:

Conrad Tao says of Saint-Saëns’ Piano Concerto No. 2, “The final movement is a barnstormer—it begins full of humor, but then gets a little bit more rude. I try to embrace the over-the-top manner...”
British composer Samuel Coleridge-Taylor was especially known for his three cantatas on the epic 1855 poem The Song of Hiawatha by American Henry Wadsworth Longfellow. His music was played across the world until his death in 1912, at just 37, but was all-but-forgotten for almost a century.
Mendelssohn’s “Reformation” symphony is “such a gorgeous piece,” says guest conductor David Danzmayr. Taking the model of Beethoven’s Ninth Symphony, he capped his symphony with an almighty celebration of reform and progress over the stuffiness of the past.

English

Mendelssohn's Reformation by Coleridge-Taylor, Saint-Saëns, MacMillan, Mendelssohn, lr. 19 urr. 2024, Noiztik (2024/2024), Zuzendaria David Danzmayr, Touhill Performing Arts Center, St. Louis, United States

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