Name: Mitislaw der Moderne
Start: 2024-05-26T00:00:00.000Z
End: 2024-06-23T00:00:00.000Z
Location: Stadttheater

Organization

Stadttheater Giessen

Set designer

Alena Hoffmann

Costume designer

Stage director

Johanna Arrouas

Dramaturge

Ann-Christine Mecke

Mitislaw der Moderne

Giessen

Germany

Stadttheater

Kleines Haus

Public

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Librettist

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Baritone

Soprano

Bass-baritone

Tenor

Contralto

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Die Totalität der Züge zu bestimmen, in denen das ‚Moderne‘ sich ausprägt, hieße die Hölle darstellen.
Walter Benjamin

1907: Im Eröffnungsjahr des Stadttheaters Gießen parodiert der erfolgreiche Operettenkomponist Franz Lehár sich selbst: Im Anschluss an jede Vorstellung seines Erfolgsstücks „Die lustige Witwe“ kann man sich im Kabarett „Die Hölle“ im Keller des Theaters den Einakter „Mitislaw, der Moderne“ ansehen. In der verruchten Atmosphäre der „Hölle“ ist zu erleben, wie der verwöhnte Prinz Mitislaw, der in Paris nach der neuesten Mode ausgebildet wurde, in sein Heimatland Benzinien zurückkehrt. Benzinien aber ist überhaupt nicht modern, sondern eine sittenstrenge Militärdiktatur. Hört der Spaß moderner Sitten bei der Partnerwahl auf oder fängt er da erst richtig an? Und welche Moderne ist hier überhaupt gemeint?

Deutsch

"To determine the totality of features in which 'modernity' is expressed would be to represent hell. "
Walter benjamin

1907: In the opening year of the Gießen City Theater, the successful operetta composer Franz Lehár parodies himself: After every performance of his successful play “The Merry Widow” you can watch the one-act play “Mitislaw der Moderne” in the cabaret “Die Hölle” in the basement of the theater. In the wicked atmosphere of “Hell” you can experience how the spoiled Prince Mitislaw, who was trained in Paris according to the latest fashion, returns to his homeland of Benzinia. But Benzinia is not modern at all, but a strict military dictatorship. Does the fun of modern customs end when choosing a partner or does it really begin there? And what kind of modernity is actually meant here?

English

Mitislaw der Moderne by Lehár, Dum 23 Iun. 2024, De la (2024/2024), Regizat de către Johanna Arrouas,, Stadttheater, Giessen, Germany

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