Name: Mozart Symphony No. 38, Requiem in D
Start: 2022-02-12T00:00:00.000Z
End: 2022-02-14T00:00:00.000Z
Location: Münchner Philharmoniker

Organization

Chordirektion

Andreas Herrmann

Sänger

Sopran

Hanna-Elisabeth Müller

Mezzosopran

Eva Zaïcik

Tenor

Mauro Peter

Bass

Tareq Nazmi

Dirigat

Philippe Herreweghe

Others

Philharmonischer Chor München

Munich Philharmonic

Mozart Symphony No. 38, Requiem in D

München

Deutschland

Münchner Philharmoniker

Mozart Symphony No. 38: Concert Various

Public

Konzert

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Bühnenbild

Chor

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Regie

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Bariton

Countertenor

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Named after the place where it was first performed, Mozart's »Prague Symphony« is closely linked to the opera »Don Giovanni« in terms of its genesis and impact. Although "Don Giovanni" only saw the light of day ten months after the symphony – also in Prague – the symphony's expansive, suspenseful Adagio introduction seems to directly anticipate the somber atmosphere of the opera's Commendatore scenes. Mozart's Requiem, his last composition shrouded in numerous myths and legends, is one of the most poignant settings of the Latin requiem mass. Only about two-thirds of the Requiem actually came from Mozart's pen. In completing it, Mozart's pupil Franz Xaver Süssmayr drew on lost sketches, perhaps also on Mozart's oral instructions. Despite this, the Requiem is one of the most important works by the Salzburg genius. None other than Philippe Herreweghe, who has been setting standards in this field for decades, provides a historically versed interpretation.

English

Mozart Symphony No. 38, Requiem in D by Various, Sa. 12 Feb. 2022, Ab (2022/2022), Dirigat Philippe Herreweghe, Münchner Philharmoniker, München, Deutschland

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Über & Zusammenfassung

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte