Name: Orlando
Start: 2007-08-31T00:00:00.000Z
End: 2007-09-09T00:00:00.000Z
Location: Opernhaus

Organization

Śpiewak

Mezzosopran

Marijana Mijanovic

Orlando

Sopran

Martina Janková

Angelica

Katharina Peetz

Medoro

Christina Clark

Dorinda

Konstantin Wolff

Zoroastro

Dyrygent

William Christie

Reżyseria

Jens Daniel Herzog

Scenografia

Mathis Neidhardt

Kostiumy

Opernhaus Zürich

Zurych

Szwajcaria

Opernhaus

“Orlando teaches all of us that love is often responsible for our loss of reason,” runs a line from Act 3 of the opera. It is a modest moral, and perhaps one not demanding of the dramatic finesse and musical diversity that Handel serves up in Orlando – for the opera’s complex of problems is rather more complicated than that. Yet despite such promising omens, Orlando was adjudged to be little more than a moderate success. There were no subsequent productions after the first performance 1733 in London, the work rapidly disappeared into obscurity and did not find its way back to opera house repertoire until the Handel renaissance of the 1920s. Nevertheless, these centuries of neglect are entirely at odds with the universally undisputed quality of the opera. Beneath the fabrice of this masterfully woven constellation of characters and values is a score of such independence and vivacity as to give Orlando a special position among Handel’s works – indeed among opera literature in general. William Christie has staged various productions of Orlando, as well as making what is widely regarded as a standard CD-recording of the work. And yet he never ceases to find something new in this opera, which along with Alcina and Giulio Cesare he considers to be Handel’s finest.
“Jens-Daniel Herzog has produced a sophisticated version of George Frideric Handel’s Orlando. William Christie is a fascinating conductor who manages a superb ensemble. Opera that is both cool and cultivated – fantastic!” Aargauer Zeitung"

Orlando Händel

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria światła

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Tenor

Baryton

Kontralt

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Watch full performance here: Orlando (2008)

Orlando - Preview clip

“Orlando teaches all of us that love is often responsible for our loss of reason,” runs a line from Act 3 of the opera. It is a modest moral, and perhaps one not demanding of the dramatic finesse and musical diversity that Handel serves up in Orlando – for the opera’s complex of problems is rather more complicated than that. Yet despite such promising omens, Orlando was adjudged to be little more than a moderate success. There were no subsequent productions after the first performance 1733 in London, the work rapidly disappeared into obscurity and did not find its way back to opera house repertoire until the Handel renaissance of the 1920s. Nevertheless, these centuries of neglect are entirely at odds with the universally undisputed quality of the opera. Beneath the fabrice of this masterfully woven constellation of characters and values is a score of such independence and vivacity as to give Orlando a special position among Handel’s works – indeed among opera literature in general. William Christie has staged various productions of Orlando, as well as making what is widely regarded as a standard CD-recording of the work. And yet he never ceases to find something new in this opera, which along with Alcina and Giulio Cesare he considers to be Handel’s finest
“Jens-Daniel Herzog has produced a sophisticated version of George Frideric Handel’s Orlando. William Christie is a fascinating conductor who manages a superb ensemble. Opera that is both cool and cultivated – fantastic!” Aargauer Zeitung"

English

Orlando by Händel, ndz 09 wrz 2007, od (2007/2007), W reżyserii Jens Daniel Herzog,, Dyrygent William Christie, Opernhaus, Zurych, Szwajcaria

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Filmy

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca