Name: Orlando
Start: 2016-02-24T00:00:00.000Z
End: 2016-02-24T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Chanteur

Mezzo-soprano

Iestyn Davies

Orlando

Soprano

Erin Morley

Angelica

Rupert Enticknap

Medoro

Carolyn Sampson

Dodinda

Basse

Shen Yang

Zoroastro

Direction d'orchestre

Harry Bicket

MusikTheater an der Wien

Orchestra

The English Concert

italien

Vienne

Autriche

Theater an der Wien

Orlando Händel

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Mise en scène

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Ténor

Contralto

Baryton

Baryton-basse

Contre-ténor

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

In his opera Orlando , written for London's King's Theater on Haymarket , George Frideric Handel referred to the story of the lovable knight from Ludovico Ariosto's epic Orlando furioso (1532). Battle-hardened Orlando goes into a frenzy when his beloved Angelica prefers the warrior Medoro. The magician Zoroastro succeeds in freeing Orlando from his madness of love by pretending to be different illusions and leading him back on the path of reason. Handel did everything he could for this unusual libretto; Orlando is not for nothingas one of his most imaginative scores. The Handel specialist Reinhard Strohm judged the title role, composed for the cast star Francesco Bernardi alias Senesino, to be “the only one who touches all affects, key areas and vocal styles; he has heroic, virtuoso, desperate and even meditative arias to sing ”. Of course there is also a great mad scene that ties in with the English tradition of “mad songs”. Senesino ended his collaboration with Handel with this role: the vain singer had fallen out with the choleric composer so much that just a few weeks after the end of the performance series he defected to the rival company, the so-called Opera of the Nobility.

English

Orlando by Händel, mer. 24 févr. 2016, Du (2016/2016), Chef d'orchestre Harry Bicket, Theater an der Wien, Vienne, Autriche

Crédits de représentation (Distribution et équipe de production )

Distribution

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles