Name: Otages
Start: 2024-03-17T00:00:00.000Z
End: 2024-03-23T00:00:00.000Z
Location: Théâtre de la Croix-Rousse

Organization

Conductor

Rut Schereiner

Stage director

Richard Brunel

Set designer

Stephan Zimmerli

Lighting designer

Laurent Castaingt

Video designer

Yann Philippe

Dramaturge

Catherine Ailloud-Nicolas

Singer

Nicola Beller Carbone

Sylvie Meyer

Juliette Adam

Clarinatte

Lise Baudouin

Piano

Irène Blanc

Flûte

Mélanie Brégant

Accordéon

Olivia Martin

Drums

Yi-Ping Yang

Percussion

Opéra de Lyon

Théâtre de la Croix-Rousse

Costume designer

Mathieu Trappler

Faustine Charles

Cello

Camille Coello

Alto

Bera Romairone

Saxophone

Beltane Ruiz Molina

Double Bass

franču

Otages

Lyon

France

Otages Sebastian Rivas

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Bass

Tenor

Countertenor

Baritone

Soprano

Mezzo-soprano

Child vocalist

Continuo

Silent

Spoken

A story from today, that of Sylvie Meyer, an ordinary woman who one fine day loses her mind and breaks all the rules to which she had consented until then. An expected creation by Sébastien Rivas based on the novel by Nina Bouraoui, directed by Richard Brunel. Discover: https://www.opera-lyon.com/fr/program... 
 
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​​ --- Video © Opéra de Lyon

Sylvie Meyer, une femme ordinaire comme la qualifie Nina Bouraoui, dont le roman éponyme est à l’origine de cette création, se conforme pendant 53 ans à ce que son milieu veut d’elle, comme si les fonctions d’épouse, de mère et d’employée constituaient son identité même.
Jusqu’à ce qu’une demande de son patron provoque un séisme intérieur, une rupture des barrières instaurées au fil des années, et un passage à l’acte violent mais libérateur.
La création lyrique, que Richard Brunel a confiée au compositeur Sebastian Rivas, codirecteur du GRAME et de la Biennale des Musiques Exploratoires à Lyon, utilise le contexte social de l’héroïne : les employées de son équipe, qu’elle appelle affectueusement « ses abeilles », sont présentes sur scène, interprétées par dix musiciennes qui ont aussi une fonction vocale. Un baryton incarne tous les hommes de la vie de l’héroïne. Quant au personnage de Sylvie Meyer, il se déploie entre sa voix parlée, qui introduit souvent des fragments de musicalité, allitérations, symétries, échos, et sa voix chantée de mezzo-soprano. Tout cela soutenu par l’utilisation de la microphonie, de l’enregistrement, de l’amplification, des techniques numériques, au service constant de la théâtralité.

français

Sylvie Meyer, “an ordinary woman” as Nina Bouraoui says, gave her name to the novel this show was adapted from. Sylvie has fulfilled the expectations set by her class for 53 years; her duties as a wife, mother and employee are seemingly the core of her whole identity. Then one day, one of her boss’ requests stir up a storm within her, and the barriers erected for years break, leading to a violent yet liberating gesture. Sebastian Rivas, the co-director of GRAME, a French National Center for Musical Creation, and of the Biennale des Musiques Exploratoires, was chosen by Richard Brunel to write the music. To do so, Rivas leaned on the heroine’s social context. The employees of her team, who Sylvie fondly refers to as “her bees”, are embodied by ten musicians with a vocal component, while a baritone plays all the men in Sylvie’s life. Sylvie’s character unfolds through her speaking voice, which often includes musical fragments, alliterations, symmetry and echoes, and her mezzo-soprano singing voice. The whole piece is supported by microphones, recordings, amplification, digital techniques, all gathered at the service of show quality.

English

Otages by Rivas, P 18 mar 2024, No (2024/2024), Režisēja Richard Brunel,, Diriģents Rut Schereiner, Théâtre de la Croix-Rousse, Lyon, France

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