Name: Passione
Start: 2025-04-04T00:00:00.000Z
End: 2025-04-05T00:00:00.000Z
Location: TivoliVredenburg

Admin

Orchestra of the 18th Century

Musis Arnhem

Direzione d'orchestra

Jakob Lehmann

Orchestra

Cantante

Katharine Dain

Soprano

Strumento

Dmitry Ablogin

Piano

Passione

Utrecht

Paesi Bassi

TivoliVredenburg

Arnhem

Musis & Stadstheater Arnhem

Passione: Il ritorno di Tobia Haydn (+4 More)

Public

concert form

Concerto

Il ritorno di Tobia

Alcandro, lo confesso, K.294

Sinfonia n. 49 in fa minore, Hob. I/49

Ch'io mi scordi di te? – Aria di concerto con pianoforte obbligato KV 505

Piano Concerto No. 25 in C Major, K. 503

Teja Boyidi

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Musette de cour Player

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Chefdirigent Musiktheater

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Alto

Mimi

Narrazione

Voce bianca

Haydn en Mozart waren beiden kenners (in muziek en leven) van menselijke passies: verheven, liefdevol, gewelddadig, onzeker, spiritueel en seculier. ‘Passione’ is een reis door de uitersten van het menselijk gevoel. De ouverture van Haydns eerste oratorium, Il ritorno di Tobia, is een briljante studie in contrasten, van somber voorgevoel tot duizelingwekkende virtuositeit. Het eindigt met een harmonische ambivalentie waar menig wenkbrauw van opgetrokken zal worden, zeker in die tijd. 

Mozarts tedere uitingen in zijn vroege concertaria “Alcandro, lo confesso” waren zijn eerste knipogen naar de sopraan Aloysia Weber, op wie hij al snel verliefd werd. Haydns Passione-symfonie is een seculier werk met een theatrale herkomst, dat later zijn naam kreeg vanwege een uitvoering in Passietijd kort nadat het verbod op wereldlijke muziek was opgeheven. Het contrasteert het serieuze en het buffo in de fijnste Haydn-stijl. Twee meesterwerken van Mozart vervolledigen het programma: zijn verbluffende “Ch’io mi scordi di te” voor sopraan en piano obbligato, dat een onwrikbare, liefdevolle loyaliteit uitdrukt in het aangezicht van grote tegenspoed, en zijn laatste Weense pianoconcert in C majeur: een stuk dat licht en schaduw, verdriet en vreugde perfect in evenwicht houdt, en eindigt in een diepe, glorieuze bevestiging.

Nederlands

Haydn and Mozart were both connoisseurs (in music and life) of human passions: elevated, loving, violent, uncertain, spiritual and secular. "Passione" is a journey through the extremes of human feeling. The overture of Haydn's first oratorio, Il ritorno di Tobia, is a brilliant study in contrasts, from somber foreboding to dizzying virtuosity. It ends with a harmonic ambivalence that will raise many an eyebrow, especially at the time. 

Mozart's tender expressions in his early concert aria "Alcandro, lo confesso" were his first nods to the soprano Aloysia Weber, with whom he soon fell in love. Haydn's Passion Symphony is a secular work with theatrical origins, which later got its name because of a performance at Passion time shortly after the ban on secular music was lifted. It contrasts the serious and the buffo in the finest Haydn style. Two of Mozart's masterpieces complete the program: his stunning "Ch'io mi scordi di te" for soprano and piano obbligato, which expresses unwavering, loving loyalty in the face of great adversity, and his final Viennese piano concerto in C major: a piece that perfectly balances light and shade, sorrow and joy, and ends in deep, glorious affirmation.

English

Passione by Haydn, Mozart, ven 04 apr 2025, Da (2025/2025), Direttore d'orchestra Jakob Lehmann, TivoliVredenburg, Utrecht, Paesi Bassi

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