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SNG Opera in balet Ljubljana

HNK Zagreb

Conductor

Philipp von Steinaecker

Stage director

Alessio Pizzech

Orchestra

Orchestra SNG Opera and Ballet Ljubljana

Others

Opera Chorus SNG Opera in balet Ljubljana

Singer

Soprano

Darija Auguštan

Fiordiligi

Martina Burger

Ana Dezman

Mezzo-soprano

Nuška Drašček Rojko

Dorabella

Elena Dobravec

Baritone

Rok Bavčar

Guglielmo

Jaka Mihelač

Tenor

Dejan Maksimilijan Vrbančič

Ferrando

Bryan Lopez Gonzalez

Gregor Ravnik

Štefica Grasselli

Despina

Eva Černe

Bass

Saša Čano

Don Alfonso

Robert Vrčon

Set designer

Andrea Stanisci

Lighting designer

Alessio Rosatti

Valerio Tiberi

Chorus master

Zeljka Ulčnik Remic

Così fan tutte

Ljubljana

Slovenia

Public

Private

Sharan Allad

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Z zadnjo treh velikih »Da Ponte oper« zaključujemo cikel Mozartovih opernih mojstrovin. Na našem odru smo v zadnjih desetih letih že uprizorili operi Figarova svatba ter Don Giovanni.

Mozartova opera, njen slovenski prevod bi se glasil Vse so take, je zadnja v vrsti Mozartovih oper, ki jih je ustvaril v sodelovanju z libretistom Lorenzom da Pontejem in spada med skladateljeva kontroverzna dela. Zaradi svojega ciničnega in satiričnega pogleda na odnose med moškimi in ženskami je v času nastanka veljala za tvegano in prostaško. A zgodba o dveh moških, ki želita preveriti zvestobo svojih izbrank, je nastala po naročilu cesarja Jožefa II. Ta naj bi slišal za podobno zgodbo, ki se je dogodila na Dunaju v krogu aristokratskih oficirjev. Libreto je našel svojega zagovornika tudi v romantiku Ernstu Theodorju Amadeusu Hoffmanu, ki ga je označil za «izraz najzabavnejše ironije«.

Delo odraža Mozartov pozni slog, glasba slika zadržanost in ravnovesje, v komedijski zaplet pa vnaša tudi čustveno globino. Kot je značilno za vse njegove večje opere, je Mozart tudi za Così fan tutte razvil poseben slog s svojevrstnim ironičnim humorjem. Posebnost je tudi prevlada ansambelskih odsekov nad arijami, saj se komedija ne dogaja med posamezniki, ampak med tremi skupinami: obema dekletoma, njunima zaročencema ter pobudnikoma komedije Alfonsom in Despino.

Opera je bila premierno uprizorjena 26. januarja 1790 na Dunaju, a je zaradi smrti cesarja doživela le štiri ponovitve, zatem so v znamenju žalovanja zaprli vsa gledališča.
Na ljubljanskem odru jo je občinstvo lahko videlo že v sezoni 1796/1797, zadnja premierna uprizoritev na našem odru pa se je zgodila 17. aprila leta 1991 v režiji Vita Tauferja.

slovenščina

We will conclude the cycle of Mozart's operatic masterpieces with the last of the three great »Da Ponte« operas – during the past ten years, we have already presented on our stage The Marriage of Figaro and Don Giovanni.

Mozart's opera Cozì fan tutte, translated literally as So Do They All, is the last in the series of operas, which the composer created in collaboration with the librettist Lorenzo da Ponte, and belongs among his most controversial works. At the time of its creation, it was considered risky and vulgar, mainly due to its cynical and satirical view of the relationship between men and women. But the story of two men who decided to test the fidelity of their chosen ones was created by the commission of Emperor Joseph II, who was said to have heard of a similar story in Vienna in the circle of aristocratic officers. The libretto was also defended by the romantic Ernest Theodor Amadeus Hoffman, who labelled it as »an expression of the funniest irony.«

The piece reflects Mozart's late style; the music portrays restraint and balance, while bringing emotional depth to the comedic plot. As characteristic of all his great operas, Mozart also developed a specific style for Così fan tutte, featuring a unique ironic humour. Also notable in the opera is the predominance of ensemble sections over arias, as the comedy takes place rather than between individuals, between three groups: the two girls, their fiancés and the initiators of the comedy, Alfonso and Despina.

The opera premiered on 26th January 1790 in Vienna, but due to the death of the Emperor, it only saw four repeat performances, after which all the theatres were closed as a sign of mourning.
The audience could see it in Ljubljana already in the 1796/1797 season, and the last premiere on our stage took place on 17th April 1991, directed by Vito Taufer.

This time, Così fan tutte will come to life at the SNG Opera in balet in a co-production with the Croatian National Theatre Zagreb, directed by Alessio Pizzech.

English

Così fan tutte by Mozart, ol. 07 eka. 2024, Noiztik (2024/2024), Zuzendaria Alessio Pizzech,, Zuzendaria Philipp von Steinaecker, SNG, Ljubljana, Slovenia

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