Name: Jenůfa
Start: 2025-01-15T00:00:00.000Z
End: 2025-02-01T00:00:00.000Z
Location: Royal Opera House

Admin

Royal Opera House

Set designer

Michael Levine

Kostuum ontwerper

Gesine Völlm

Licht ontwerper

James Farncombe

Choreograaf

Teresa Rotemberg

Regisseur

Claus Guth

Video ontwerper

Rocafilm

Dramaturg

Yvonne Gebauer

Dirigent

Jakub Hrůša

Koor meester

William Spaulding

Zanger

Soprano

Corinne Winters

Jenůfa

Karita Mattila

Kostelnička Buryjovka

Tenor

Thomas Atkins

Števa Buryja

Nicky Spence

Laca Klemeň

Contralto

Hanna Schwarz

Stařenka Buryjovka

Baritone

James Cleverton

Stárek

Bass

Jonathan Lemalu

Rychtár

Mezzo-soprano

Marie McLaughlin

Rychtárka

Valentina Puskás

Karolka

Isabela Diaz

Jana

Veena Akama-Makia

Herdswoman

Cai Jingwen

Barena

Orchestra

Orchestra of the Royal Opera House

Others

Chorus of the Royal Opera House

Tsjechisch

Londen

Verenigd Koninkrijk

Main Stage

Public

Sharan Allad

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Approved

Accordionist

Instrumentalist

Archlutenist

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Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

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Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

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Danser

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Illustrator

Koor

Librettist

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Teacher

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Visagist

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Writer

Writing and performance

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Corinne Winters (Jenůfa) and Karita Mattila (the Kostelnička) lead in Janáček’s evocative opera with a score that is infused with traditional folk melodies of the composer’s native Moravia. Music Director Designate Jakub Hruša conducts Claus Guth’s staging which is an ‘edgy, evocative’ (Telegraph) take on this poignant domestic drama.

THE MUSIC OF JENŮFA 
Janáček’s folk-inspired music movingly captures Jenůfa’s progression from hope to despair to eventual radiant happiness, while her stepmother, the Kostelnička, is one of opera’s most complex maternal figures. Writer Nigel Simeone describes the unique structure of Janáček's stirring music as such: ‘Every character has his or her own musical language, and Janáček sets down a pattern that will serve him for all of his mature operas. A theme, often as short as four notes, dominates each scene [of the opera] but then gives way to another, equally memorable'.  

WHAT IS A KOSTELNIČKA?  
Jenůfa's stepmother is referred throughout Janáček’s opera as ‘the Kostelnička’, a title given to a village church-warden or elder. Initially presenting as a strong matriarch who is fiercely protective of Jenůfa, the Kostelnička has one of the more dramatic – and dark – character transformations across opera. As Jenůfa's future is turned increasingly precarious by her illegitimate child, the Kostelnička’s maternal instinct morphs into obsessive determination... In a small, stifling community, how far must a mother go to protect her child?

English

Jenůfa by Janáček, za. 01 feb 2025, Van (2025/2025), Geregisseerd door Claus Guth,, Dirigent Jakub Hrůša, Royal Opera House, Londen, Verenigd Koninkrijk

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