Name: Die Walküre
Start: 2025-05-01T00:00:00.000Z
End: 2025-05-17T00:00:00.000Z
Location: Royal Opera House

Admin

Royal Opera House

Orchestra

Orchestra of the Royal Opera House

Direzione d'orchestra

Antonio Pappano

Cantante

Baritono

Christopher Maltman

Wotan

Soprano

Elisabet Strid

Brünnhilde

Lise Davidsen

Sieglinde

Tenore

Stanislas de Barbeyrac

Siegmund

Basso

Soloman Howard

Hunding

Mezzosoprano

Marina Prudenskaya

Fricka

Maida Hundeling

Helmvige

Katie Lowe

Ortlinde

Lee Bisset

Gerhilde

Claire Barnett-Jones

Waltraute

Contralto

Catherine Carby

Siegrune

Alison Kettlewell

Rossweisse

Monika-Evelin Liiv

Grimgerde

Rhonda Browne

Schwertleite

Regia

Barrie Kosky

Scenografia

Rufus Didwiszus

Costumi

Victoria Behr

Luci

Alessandro Carletti

tedesco

Die Walküre -  (La Valchiria)

Londra

Regno Unito

Main Stage

Die Walküre Wagner, Richard

Public

La Valchiria

Joshua Dos

inglese

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Controtenore

Alto

Mimi

Narrazione

Voce bianca

Love and death, gods and mortals, heroes and villains: it’s all here, in the thunderous second chapter of the Ring cycle. Following the glittering triumph of Das Rheingold in 2023, Barrie Kosky and Antonio Pappano plunge back into Wagner’s mythic universe. Christopher Maltman’s Wotan returns alongside an international cast including Elisabet Strid as Brünnhilde, Lise Davidsen as Sieglinde and Stanislas de Barbeyrac as Siegmund.

THE RING RETURNS
Die Walküre (The Valkyrie) is the second work of Richard Wagner’s four-opera cycle Der Ring des Nibelungen; it follows Das Rheingold and preceeds Siegfried and Götterdämmerung (Twilight of the Gods). It has become the most performed opera of the cycle, loved and admired for its nuanced and intelligent exploration of complex family entanglements, expressed through music of astonishing power – perhaps nowhere more so than in the glorious music for the incestuous lovers Siegmund and Sieglinde.

A LUCKY ENCOUNTER WITH KING LUDWIG 
Wagner’s fortunes improved dramatically when the young King Ludwig II ascended to the throne in Bavaria in 1864. Captivated by Wagner’s operas, the King employed him on a permanent basis, settling the composer’s debts, and installing him in a state of luxury at the Villa Tribschen on Lake Lucerne, where Wagner composed the famous Tristan und Isolde. Wagner subsequently founded the Bayreuth Festspielhaus: a theatre specially constructed for the demands of the Ring cycle, which hosts annual festivals of Wagner’s music to this day.

Totalling fifteen hours of music, Wagner’s Ring cycle is a colossal masterpiece composed over the course of 26 years, from 1848 to 1874. It consists of four epic operas which fuse ancient Norse mythology with German and Scandinavian folk tales to tell the story of an all-powerful ring, and its pursuit by the leader of the gods, Wotan. It is the culmination of Wagner’s ambition to create opera that unified text, music and drama in a Gesamtkunstwerk, or ‘total work of art’. 

A COMPLEX MUSICAL LANDSCAPE
Richard Wagner uses a compositional technique known as the ‘leitmotif’ (or recurring musical fragments) to weave a richly evocative musical tapestry in his Ring cycle operas. These musical ‘cells’ are often associated with different characters, or aspects of the story. In Die Walküre, some of the most famous motifs are the ‘Nothung’ sword melody (an ascending trumpet fanfare), or the yearning, twisting string melody that signifies the desire between the twins. As the opera progresses, these and other motifs return and develop in endless combinations, resulting in a complex musical landscape. 

RIDE OF THE VALKYRIES
The 'Ride of the Valkyries' is the best-known piece of music from the opera. The music, which opens Act III, is an astonishing evocation of flight, depicting the fantastical valkyries, harvesting fallen heroes from the field of battle. Over the sound of quivering woodwinds, a galloping melody vaults upwards, the trombones unleash their famous, dazzling tune and we are swept up with the mythical daughters of Valhalla, as they sing their glorious arrival: ‘Hojotoho!’. Despite the fame of this introduction as a stand-alone piece, in its full dramatic context within Wagner’s Ring cycle, it is merely the prelude to what many describe as the pivotal scene of the entire saga: the heartbreaking scene between Wotan and his daughter, Brünnhilde.

English

La Valchiria by Wagner, Richard, mer 14 mag 2025, Da (2025/2025), Diretto da Barrie Kosky,, Direttore d'orchestra Antonio Pappano, Royal Opera House, Londra, Regno Unito

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