Name: Purcell Britten Schumann Williams Haas
Start: 2024-02-20T00:00:00.000Z
End: 2024-02-20T00:00:00.000Z
Location: Slovak Philharmonic

Admin

Slovak Philharmonic

Cantante

Simon Wallfisch

Voice

Strumento

Edward Rushton

Piano

Basso-baritono

Purcell / Britten Schumann Williams Haas

Bratislava

Slovacchia

Small Hall

Purcell / Britten Schumann Williams Haas: Let The Dreadful Engines of Eternal Will Purcell | Britten (+3 More)

Public

concert form

Concerto

Let The Dreadful Engines of Eternal Will

Amori del poeta, op. 48

The House of Life

4 Songs on Chinese Poetry

Joshua Dos

Approvato

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione d'orchestra

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Contralto

Baritono

Basso

Tenore

Controtenore

Mezzosoprano

Alto

Mimi

Narrazione

Voce bianca

The romantic German song is an achievement of the 19th century. Until then, the songs had the character of inconsequential miniatures, to which composers paid attention only marginally. In Poet’s Love, a cycle of 16 songs to texts from Heinrich Heine’s Book of Songs, Robert Schumann perfectly expresses the ambiguity of poetry. Love is interpreted as gentle caresses and flights of fantasy, while poetic melancholy is veiled behind images of flowers and birds. Other song cycles introduce a more contemporary approach to working with the text. Ralph Vaughan Williams works in his cycle with six sonnets by Dante Gabriel Rossetti. The four songs by Pavel Haas are considered the pinnacle of the author’s vocal work. The piece was created at the initiative of the singer Karel Berman, who was imprisoned together with Haas in a camp in Terezín. The book New Songs of Old China, from which Haas set four texts to music, was either from the library of the Terezín ghetto, or someone smuggled it into the camp. The lyrics refer to an extraordinary desire to return home: “Home is there, far away there”, “you should go home, stray heart!”, “Sleep, give me a dream of returning home”. Verses written in a different life situation took on a new meaning in the ghetto: the songs had such a positive response among the prisoners that Berman had to sing them at least fifteen more times. The German-British cellist and baritone Simon Wallfisch must possess the ability to convey a broad spectrum of emotions.

English

Romantická nemecká pieseň je výdobytkom 19. storočia. Dovtedy mali piesne charakter nezávažnej miniatúry, ktorej skladatelia venovali pozornosť len okrajovo. V Láske básnikovej, cykle 16 piesní na texty z Knihy piesní Heinricha Heineho, vyjadruje Robert Schumann vynikajúco dvojzmyselnosť poézie. Láska je chápaná ako nežné laškovanie a hry fantázie, za obrazy kvetín a vtákov sa skrýva poetická melanchólia. Ďalšie piesňové cykly prinášajú novší prístup k práci s textom. Ralph Vaughan Williams v cykle pracuje so šiestimi sonetmi Danteho Gabriela Rossettiho. Štyri piesne Pavla Haasa sú pomysleným vrcholom autorovej vokálnej tvorby. Dielo vzniklo na podnet speváka Karla Bermana, ktorý bol spolu s Haasom väznený v tábore v Terezíne. Kniha Nové spevy starej Číny, z ktorej Haas zhudobnil štyri texty, bola buď z knižnice terezínskeho geta alebo ju do tábora ktosi prepašoval. Texty odkazujú na mimoriadnu túžbu vrátiť sa domov: „Domov je tam, daleko tam“, „mělo bys domů, zbloudilé srdce!“, „Spánku sen dej mi o návratu domů“. Verše napísané v odlišnej životnej situácii nabrali v gete nový význam, medzi väzňami mali piesne tak pozitívny ohlas, že ich Berman musel spievať ešte najmenej pätnásťkrát. Široký diapazón emócií musí zvládnuť zachytiť nemecko-britský violončelista a barytonista Simon Wallfisch.

slovenčina

Purcell / Britten Schumann Williams Haas by Purcell, Schumann, Vaughan Williams, Haas, P., mar 20 feb 2024, Da (2024/2024), Slovak Philharmonic, Bratislava, Slovacchia

Crediti di rappresentazione (Cast e team di produzione )

Cast

Strumentazione

Programma, informazioni e sinossi

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

Sedi