Name: Rencontres Inédites I
Start: 2024-07-21T00:00:00.000Z
End: 2024-07-21T00:00:00.000Z
Location: Eglise de Verbier

Admin

Verbier Festival

Instrumentalist

Lucas Debargue

Piano

Alexandra Dovgan

Yamen Saadi

Violin

Raphaëlle Moreau

Edgar Moreau

Cello

Violinist

Violin I

Violin II

Violist

Timothy Ridout

Viola

Cellist

Pianist

Rencontres Inédites I

Bagnes

Switzerland

Eglise de Verbier

Rencontres Inédites I: Piano Trio, op. 8 Chopin (+1 More)

Public

Piano Trio, Op.8

Piano Quintet No. 1, op. 89

Akshay C K

Approved

Bass

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

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Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Singer

Tenor

Soprano

Mezzo-soprano

Contralto

Baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Chopin’s four-movement Piano Trio was his only large scale chamber work, and while, inevitably for a piece composed when he was just 18, it carries the influence of the past masters (notably Beethoven), it also contains the beginnings of his trademark sophisticated assimilation of Polish folk dances; the Scherzo second movement, for instance, draws on the leaping Oberek, while the finale’s rondo theme is a syncopated, duple-time krakowiak. Fauré’s First Piano Quintet was completed in 1905, but begun as early as 1887, when he was also composing his Requiem – and the nostalgic Molto moderato’s opening doesn’t feel worlds apart from the Requiem’s ‘In Paradisum,’ with its long-lined strings against iridescently rippling piano figures. A tender, melancholic Adagio follows, full of close dialogue, before an equally densely-woven Allegretto moderato whose radiant climax features the work’s first truly bravura piano writing.

English

Le Trio pour piano en quatre mouvements de Chopin représente sa seule œuvre de chambre d’une grande envergure. Composée alors qu’il n’avait que 18 ans, elle révèle à la fois l’influence des anciens maîtres, notamment Beethoven, et les prémices de son assimilation sophistiquée des danses folkloriques polonaises. Par exemple, le deuxième mouvement du scherzo s’inspire du bondissant Oberek tandis que le thème du rondo du finale est un krakowiak syncopé à double temps. Ces éléments témoignent de la capacité de Chopin à intégrer de manière novatrice les caractéristiques rythmiques et mélodiques des danses folkloriques polonaises dans une composition de chambre classique. Le premier quintette avec piano de Fauré a été achevé en 1905, mais commencé dès 1887, période où il travaillait également sur son Requiem. L’ouverture nostalgique du Molto moderato présente des similitudes avec l’« In Paradisum » du Requiem par le contraste de jeu entre le piano et les cordes. Elle est suivie d’un tendre et mélancolique Adagio, riche en dialogue intimiste, avant un Allegretto moderato tout aussi dense dont le point culminant est marqué par l’audacieuse première écriture pianistique de l’œuvre.

français

Rencontres Inédites I by Chopin, Fauré, sun 21 júl 2024, Frá (2024/2024), Eglise de Verbier, Bagnes, Switzerland

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