Name: Rencontres Inédites VI
Start: 2024-07-28T00:00:00.000Z
End: 2024-07-28T00:00:00.000Z
Location: Eglise de Verbier

Admin

Verbier Festival

Instrumentalist

Alexandra Conunova

Violin I

Bomsori Kim

Violin II

Dmitry Shishkin

Piano

Violinist

Violin 1

Violin 2

Violist

Michael Barenboim

Viola

Bruce Liu

Violin

Kian Soltani

Cello

Rencontres Inédites VI

Bagnes

Switzerland

Eglise de Verbier

Rencontres Inédites VI: Five Pieces for Two Violins and Piano Shostakovich (+2 More)

Public

Concert

Five Pieces for Two Violins and Piano

Miniatures, Op.75a

Piano Trio No.1, Op.8

Akshay C K

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violino Piccolo Player

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Countertenor

Bass

Mezzo-soprano

Baritone

Contralto

Soprano

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Uncomplicatedly congenial and amateur-friendly, Shostakovich’s suite for two violins and piano draws its melodies from the many scores he wrote for the Soviet film industry for financial reasons. After a sentimental Prelude come a sunnily four-square Gavotte, a tender Elegy, a Waltz, and a merry Polka. Dvořák penned his 4 miniatures of 1887 for personal pleasure, so he could play his viola with an amateur violinist he lived with, plus their teacher. Its contrasting movements are a lyrical Cavatina, a lively Cappriccio, a tender Romance and a sighing Elegie. Smetena’s elegiac four-movement Piano Trio – full of falling figures, with a funeral march towards the end of its finale – was written in 1855, in anguished response to the death of his young daughter. He later explained that articulating his grief through chamber forces was ‘as though in a small friendly circle they are discussing amongst themselves what so obviously troubles me.’

English

D’un abord facile et convivial, la Suite pour deux violons et piano de Chostakovitch tire son matériau mélodique des nombreuses musiques de films écrites par Chostakovitch pour le cinéma soviétique. Le Prélude, sentimental, est suivi d’une Gavotte ensoleillée, d’une tendre Élégie, d’une Valse, et enfin, d’une joyeuse Polka. C’est pour le plaisir personnel de les jouer lui-même à l’alto avec deux amis que Dvorak écrivit ses quatre miniatures de 1887 : une Cavatine lyrique, un Cappriccio vif, une Romance tendre et une Élégie. Smetana composa son élégiaque Trio pour piano – riche en figures descendantes et avec une marche funèbre dans son Finale – en 1855, en réaction angoissée à la mort de sa fille de quatre ans et demi. Il expliqua plus tard qu’exprimer son chagrin par le biais de la musique de chambre était « comme discuter, dans un petit cercle amical, de ce qui me bouleverse si manifestement ».

français

Rencontres Inédites VI by Shostakovich, Dvořák, Brahms, ne 28 čvc 2024, Od (2024/2024), Eglise de Verbier, Bagnes, Switzerland

Výkonnostní kredity (Obsazení a tým )

Instrumentace

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény