Organization

Singer

Soprano

Sandrine Piau

Contralto

Sara Mingardo

Alto

Tenor

Anicio Zorzi Giustiniani

Stage director

Romeo Castellucci

Conductor

Raphaël Pichon

Dramaturge

Piersandra Di Matteo

Set designer

Lighting designer

Costume designer

Silvia Costa

Choreographer

Evelin Facchini

Artistic collaborator lighting

Marco Giusti

Bass

Luca Tittoto

Theater Basel

Ensemble Pygmalion

Others

Choeur Pygmalion

Prospero mm productions

ADELAIDE FESTIVAL

WIENER FESTWOCHEN

Requiem

Paris

France

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Countertenor

Mezzo-soprano

Bass-baritone

Child vocalist

Continuo

Silent

Spoken

Requiem Mozart

‘As death is the true goal of our existence, I have become so well acquainted with this true, best friend of humankind over the last few years that death’s i...

“As death is the real final destination of our life, over the past few years I have become so familiar with this true and best friend of man that not only is her image no longer frightening for me but also 'even appears very soothing and consoling. »These considerations of Mozart on life and death are at the origin of the interpretation that Raphaël Pichon and Romeo Castellucci give of the emblematic and unfinished Requiem of the composer. Expression of the existential anguish of man in the face of finitude, this mass of the dead confronts us with the ephemeral character of nature and culture, of man as a species and as an individual. “We must understand and celebrate the end as the reverse of a party where the dance continues. ThisMissa pro defunctis then changes polarity and meaning. »Castellucci's theatrical vision, carried by Pichon's musical dramaturgy - which embellishes the work of other religious pieces by Mozart - will transform this Requiem into the ultimate glorification of life.

English

Requiem by Mozart, Pk 13 mai 2022, No (2022/2022), Režisēja Romeo Castellucci,, Diriģents Raphaël Pichon

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