Organization

Sångare

Soprano

Sandrine Piau

Sopran

Contralto

Sara Mingardo

Tenor

Anicio Zorzi Giustiniani

Regissör

Romeo Castellucci

Dirigent

Raphaël Pichon

Dramaturg

Piersandra Di Matteo

Scenograf

Ljus designer

Kostym designer

Silvia Costa

Koreograf

Evelin Facchini

Artistic collaborator lighting

Marco Giusti

Bass

Luca Tittoto

Theater Basel

Ensemble Pygmalion

Others

Choeur Pygmalion

Prospero mm productions

ADELAIDE FESTIVAL

WIENER FESTWOCHEN

Requiem

Paris

Frankrike

Public

Private

Mozarts Requiem

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Kör

Körledare

Librettist

Ljud designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Repetitör

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Baritone

Mezzo-soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Requiem Mozart

‘As death is the true goal of our existence, I have become so well acquainted with this true, best friend of humankind over the last few years that death’s i...

“As death is the real final destination of our life, over the past few years I have become so familiar with this true and best friend of man that not only is her image no longer frightening for me but also 'even appears very soothing and consoling. »These considerations of Mozart on life and death are at the origin of the interpretation that Raphaël Pichon and Romeo Castellucci give of the emblematic and unfinished Requiem of the composer. Expression of the existential anguish of man in the face of finitude, this mass of the dead confronts us with the ephemeral character of nature and culture, of man as a species and as an individual. “We must understand and celebrate the end as the reverse of a party where the dance continues. ThisMissa pro defunctis then changes polarity and meaning. »Castellucci's theatrical vision, carried by Pichon's musical dramaturgy - which embellishes the work of other religious pieces by Mozart - will transform this Requiem into the ultimate glorification of life.

English

Requiem by Mozart, fre 29 apr 2022, Från (2022/2022), Regisserad av Romeo Castellucci,, Dirigent Raphaël Pichon

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Ensemble

Medproducent

Program, Om & Synopsis

Videoklipp

Foton

Vidare läsning

Föreställningsdatum och lokaler

Spelplatser