Name: Rigoletto
Start: 2022-11-10T00:00:00.000Z
End: 2022-12-29T00:00:00.000Z
Location: Metropolitan Opera House

Organization

Regia

Bartlett Sher

Scenografia

Michael Yeargan

Costumi

Catherine Zuber

Luci

Donald Holder

Cantante

Soprano

Rosa Feola

Gilda

Lisette Oropesa

Contralto

Aigul Akhmetshina

Maddalena

Tenore

Benjamin Bernheim

Il Duca di Mantova

Stephen Costello

Baritono

Quinn Kelsey

Rigoletto

Michael Chioldi

Luca Salsi

Direzione d'orchestra

Speranza Scappucci

Alexandra Nowakowski

Basso

John Relyea

Sparafucile

Mezzosoprano

Brittany Renee

La Contessa di Ceprano

Susanne Burgess

Edyta Kulczak

Giovanna

Eve Gigliotti

Bradley Garvin

Il Conte di Monterone

Craig Colclough

Scott Scully

Matteo Borsa

Jeongcheol Cha

Marullo

Paul Corona

Il Conte di Ceprano

Javier Camarena

Julian Close

The Metropolitan Opera

Others

Metropolitan Opera Choir

Orchestra

Metropolitan Opera Orchestra

italiano

New York

Stati Uniti

Metropolitan Opera House

Rigoletto Verdi

Public

inglese

tedesco

spagnolo

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballerino/a

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Fotografia

Illustrator

Insegnante

Libretto

Maestro accompagnatore

Orchestra Operations

Parrucco

Poeta

Produzione esecutiva

Recitazione

Scrittura

Scrittura ed esecuzione

Sound designer

Stage Manager

Traduzione

Trucco

Video

Wig & Makeup Designer

Basso-baritono

Controtenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

Benjamin Bernheim as Duca

Benjamin Bernheim sings the Duke of Mantua’s Act III aria in the opening performance. Production: Bartlett Sher. Conductor: Speranza Scappucci. 2022–23 season. Videography by Neville Braithwaite.

After a lauded premiere on New Year’s Eve 2021, Bartlett Sher’s Art Deco–inspired production of Verdi’s ever-popular masterpiece returns for its first revival. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Bass Andrea Mastroni is Sparafucile, and mezzo- soprano Aigul Akhmetshina also debuts as Maddalena. Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke.

World premiere: Teatro La Fenice, Venice, 1851
A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. The story, based on a controversial play by Victor Hugo, tells of an outsider—a hunchbacked jester—who struggles to balance the dueling elements of beauty and evil that exist in his life. Written during the most fertile period of Verdi’s artistic life, the opera resonates with a universality that is frequently called Shakespearean.

Creators
In a remarkable career spanning six decades in the theater, Giuseppe Verdi (1813–1901) composed 26 operas, at least half of which are at the core of today’s repertoire. His role in Italy’s cultural and political development has made him an icon in his native country. Francesco Maria Piave (1810–76), Verdi’s librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra.

Setting
Victor Hugo’s 1832 play Le Roi s’Amuse, set at the court of King François I of France (circa 1520), is a blatant depiction of depraved authority. In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. In the Met’s production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadent—and dangerous—world of the original setting.

Music
Rigoletto contains a wealth of melody, including one that is among the world’s most famous: “La donna è mobile.” All the opera’s solos are rich with character insight and dramatic development. The famous Act III quartet, “Bella figlia dell’amore,” is an ingenious musical analysis of the diverging reactions of the four principals in the same moment: The Duke’s music rises with urgency and impatience, Gilda’s droops with disappointment, Rigoletto’s remains measured and paternal, while the promiscuous Maddalena is literally all over the place. In the context of the opera, the merely lovely music becomes inspired drama.

English

Rigoletto by Verdi, sab 26 nov 2022, Da (2022/2022), Diretto da Bartlett Sher,, Direttore d'orchestra Speranza Scappucci, Metropolitan Opera House, New York, Stati Uniti

Crediti di rappresentazione (Cast e team di produzione )

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Ensemble

Programma, informazioni e sinossi

Recensioni

Video

Foto

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