Name: Roberto Devereux
Start: 2021-09-30T00:00:00.000Z
End: 2022-05-09T00:00:00.000Z
Location: Národné Divadlo Košice (ex Štátne divadlo)

Organization

Singer

Soprano

Eva Bodorová

Elizabeth

Michaela Várady

Baritone

Marián Lukáč

The Duke of Nottingham

Marek Gurbal

Mezzo-soprano

Elena Maximova

Sara

Myroslava Havryliuk

Tenor

Juraj Hollý

Roberto Devereux

David Astorga

Anton Baculík

Lord Cecil

Maksym Kutsenko

Bass

Michal Onufer

Sir Walter Raleigh

Martin Kovács

László Havasi

A servant of Nottingham

Krisztián Kokolusz

Contralto

A page

Stage director

Anton Korenči

Conductor

Peter Valentovic

Vinicius Kattah

Lighting designer

Róbert Farkas

Costume designer

Mitzy Von Hoffmann

Set designer

Pavol Juráš

Repetiteur

Peter Michalik

Video designer

Jakub Pišek

Bea Kolbašovská

Choreographer

Andrej Petrovič

Dramaturge

Stanislav Trnovský

Chorus master

Lukáš Kozubík

Libretto

Salvatore Cammarano

Music production

Accompaniment

Jan Novobilský

Inspector

Viera Hronská

Štátne divadlo Košice

Košice

Slovakia

Národné Divadlo Košice (ex Štátne divadlo)

Gaetano Donizetti: ROBERTO DEVEREUX.
Opera Roberto Devereux draws on the theme of English history and is the third opera portrait of Queen Elizabeth I. As the last living daughter of Henry VIII. and Anna Boleyn ascended the English throne in 1558. This prominent figure inspired Gaetano Donizetti for the first time in the opera Elisabetta all castello di Kenilworth, composed on the theme of Walter Scott, in the second musical - dramatic image of Elizabeth according to Schiller's drama confronts it with King Start of Scotland finally, in the third, in Robert Devereux, her dramatic relationship with the Earl of Essex is at the forefront. The score was born at a time of deep crisis in the composer, who lost both parents, the stillborn and the short-lived child, and finally his wife in a short period of time. The premiere took place on October 29, 1837 at the Teatro San Carlo in Naples with great success.

A year later, he prepared a modified version for the Théâtre Italien in Paris, in which the motif of the English anthem God Save the Queen sounds in the prelude. Like most of Belcant's serious operas, Roberto Devereux disappeared from the stage for a while and was not returned until a massive wave of their renaissance in the middle of the last century.

Roberto Devereux Donizetti

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Opera Štátneho divadla Košice uvádza výnimočnú bel canto operu vo výnimočnom spracovaní.

Od 30. septembra 2021 v Historickej budove ŠDKE.

Viac o predstavení: http://www.sdke.sk/sk/opera/gaetano-d...

Vstupenky: https://www.navstevnik.sk/detail-podu.

Opera Roberto Devereux  draws on the theme of English history and is the third opera portrait of  Queen Elizabeth I. As the last living daughter of Henry VIII. and Anna Boleyn  ascended the English throne in 1558. This prominent figure inspired Gaetano  Donizetti for the first time in the opera Elisabetta all castello di Kenilworth ,  composed on the theme of Walter Scott, in the second musical - dramatic image  of Elizabeth according to Schiller's drama confronts it with Queen  Scott of Scotland finally, in the third, in Robert Devereux , her dramatic relationship with the Earl of Essex is at the forefront  . The score was born in a time of the deep the life crisis of a composer who lost both parents, a stillborn and a short-lived child, and finally a wife in a short period of time  . The premiere took  place on October 29, 1837 at the Teatro San Carlo in Naples with great success.

A year later, he prepared a modified version for the Théâtre Italien in Paris, in which  the motif of the English anthem God Save the Queen sounds in the prelude . Like  most of Belcant's serious operas, Roberto Devereux  disappeared  from the stage for a time and was not returned until a massive wave of their renaissance in the middle of the last century.

English

Roberto Devereux by Donizetti, po 09 kvě 2022, Od (2021/2022), Režie Anton Korenči,, Dirigent Peter Valentovic, Vinicius Kattah, Národné Divadlo Košice (ex Štátne divadlo), Košice, Slovakia

Výkonnostní kredity (Obsazení a tým )

Program, Informace a Synopsis

Recenze

Videa

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény