Name: Symphonist Emilie Mayer – Trans-Mission IV
Start: 2024-08-18T00:00:00.000Z
End: 2024-08-18T00:00:00.000Z
Location: Gstaad Festival Tent

Organization

Admin

Gstaad Menuhin Festival

Others

Basel Chamber Orchestra

Instrumentalist

Hélène Grimaud

Piano

Symphonist Emilie Mayer – Trans-Mission IV

Saanen

Switzerland

Gstaad Festival Tent

Symphonist Emilie Mayer – Trans-Mission IV: Overture in C major, Op.24 Mendelssohn (+2 More)

Public

Overture, op. 24

Piano Concerto No. 4 in G Major, op. 58

Symphony No. 5 in F Minor

Luis Mariano Nomdedeu

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Contralto

Bass

Mezzo-soprano

Baritone

Soprano

Tenor

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

During the 19th century, which might seem hard to imagine today, it was incredibly rare for women to grace the stage, especially with the “grand” symphonic repertoire. Even in the 21st century, the question of whether female composers have truly claimed the recognition they deserve remains uncertain. That’s why concerts like the one presented by the Kammerorchester Basel should be more commonplace: their selection of music not only pays homage to the exceptionally talented older sister of Felix Mendelssohn Bartholdy, Fanny, but also sheds light on the still-underappreciated Emilie Mayer! As a student of Carl Loewe in Stettin, this Romantic German composer chose to remain unmarried throughout her life ... perhaps to wholly devote herself to her art? Besides an enchanting repertoire of chamber music, Emilie Mayer left a legacy of eight symphonies, where the influence of Beethoven is subtly present, but never steals the spotlight. Emilie Mayer found her final resting place in Berlin, not far from the graves of Fanny Hensel and Felix Mendelssohn Bartholdy! Hélène Grimaud, with a nod to her 2003 debut at Gstaad Menuhin Festival & Academy alongside the Radio Symphony Orchestra Frankfurt (now the hf-Sinfonieorchester) conducted by Hugh Wolff, has chosen one of her all-time favourite concertos – Beethoven’s Piano Concerto No. 4 – to weave a musical tapestry with the works of Fanny Hensel and Emilie Mayer.

English

Symphonist Emilie Mayer – Trans-Mission IV by Mendelssohn, Beethoven, Mayer, Emilie, sek 18 rgp 2024, Nuo (2024/2024), Gstaad Festival Tent, Saanen, Switzerland

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