Name: The Exterminating Angel
Start: 2024-02-26T00:00:00.000Z
End: 2024-03-23T00:00:00.000Z
Location: Opéra Bastille

Organization

Admin

Cité de la Musique-Philharmonie

Conductor

Thomas Adès

Robert Houssart

Chorus master

Chin-Lien Wu

Stage director

Calixto Bieito

Set designer

Anna-Sofia Kirsch

Costume designer

Ingo Krügler

Lighting designer

Reinhard Traub

Dramaturge

Bettina Auer

Soprano

Jacquelyn Stucker

Lucia

Gina Gloria Tronel

Leticia Maynar

Mezzo-soprano

Hilary Summers

Leonora Palma

Claudia Boyle

Silvia de Ávila

Christine Rice

Blanca Delgado

Amina Edris

Beatriz

Tenor

Nicky Spence

Edmundo de Nobile

Frédéric Antoun

Raúl Yebenes

Baritone

Jarrett Ott

Col. Álvaro Gómez

Countertenor

Anthony Roth Costanzo

Francisco de Ávila

Filipe Manu

Eduardo

Singer

Philippe Sly

Señor Russell

Paul Gay

Alberto Roc

Clive Bayley

Dr Carlos Conde

Bass-baritone

Thomas Faulkner

Julio

Ilanah Lobel-Torres

Meni

Julien Henric

Lucas

Nicholas Jones

Enrique

Andres Cascante

Pablo

Bethany Horak-Hallett

Camila

Régis Mengus

Padre Sanson

Orchestra

Paris Opera Orchestra

Others

Chœur de l’Opéra national de Paris

angličtina

The Exterminating Angel

Paris

France

Opéra Bastille

The Exterminating Angel: The Exterminating Angel Adès

Public

Alejandro Alberto Giess Sarmiento

francúzština

Approved

Bass

Instrumentalist

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Violinist

Cellist

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Flutist

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hornist

Oboist

Bassoonist

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Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

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Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

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Viola da gamba

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Alto

Continuo

The Exterminating Angel, du 29 février au 23 mars 2024 à l'Opéra Bastille
Informations et réservations sur https://www.operadeparis.fr/saison-23...

Après The Dante Project la saison dernière, l’Opéra national de Paris continue d’explorer la musique du compositeur contemporain Thomas Adès avec la création française de The Exterminating Angel.

Inspiré du film surréaliste de Luis Buñuel, qui livrait en 1962 une critique acerbe de la bourgeoisie, l’œuvre débute par un dîner entre amis de la haute société dans une demeure cossue après une représentation lyrique. Mais peu à peu, une force mystérieuse empêche les quinze convives de quitter la réception. Dans ce confinement sans raison apparente qui s’étire sur plusieurs jours, le vernis des convenances se craquèle, révélant le pire de la nature humaine.

Thomas Adès signe une partition riche et tendue, amplifiant l’atmosphère étrange du livret par des instruments singuliers comme les ondes Martenot. La mise en scène de ce huis-clos est confiée à Calixto Bieito, fasciné depuis longtemps par l’univers de Buñuel.

After last season’s The Dante Project, the Paris Opera continues to explore the music of contemporary composer Thomas Adès with the French premiere of The Exterminating Angel.

Inspired by Luis Buñuel’s 1962 surrealist film, which offered a scathing critique of the bourgeoisie, the work begins with a dinner among upper-class friends in a plush mansion after an opera performance. But, gradually, a mysterious force prevents the fifteen guests from leaving the reception. In this confinement for no apparent reason, drawn out over several days, the veneer of propriety cracks, revealing the worst of human nature.

Thomas Adès has written a rich and tense score, amplifying the libretto’s strange atmosphere with unusual instruments such as the ondes Martenot. The Paris Opera has entrusted the staging of this huis-clos to Calixto Bieito. The director has long been fascinated by Buñuel’s universe.

[EXTRAIT] THE EXTERMINATING ANGEL by Thomas Adès

After last season’s The Dante Project, the Paris Opera continues to explore the music of contemporary composer Thomas Adès with the French premiere of The Exterminating Angel. Inspired by Luis Buñuel’s 1962 surrealist film, which offered a scathing critique of the bourgeoisie, the work begins with a dinner among upper-class friends in a plush mansion after an opera performance. But, gradually, a mysterious force prevents the fifteen guests from leaving the reception. In this confinement for no apparent reason, drawn out over several days, the veneer of propriety cracks, revealing the worst of human nature. Thomas Adès has written a rich and tense score, amplifying the libretto’s strange atmosphere with unusual instruments such as the ondes Martenot. The Paris Opera has entrusted the staging of this huis-clos to Calixto Bieito. The director has long been fascinated by Buñuel’s universe.

English

The Exterminating Angel by Adès, st 06 mar 2024, Od (2024/2024), Režírované Calixto Bieito,, Dirigent Thomas Adès, Robert Houssart, Opéra Bastille, Paris, France

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